06-11 biancoenero (2011) 图画 由 Viola Di Massimo

石墨在纸上, 12.6x9.5 in
US$392.61
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这件艺术品出现在2集
  • 原创艺术品 (One Of A Kind) 图画, 石墨 / 铅笔 在纸上
  • 外形尺寸 高度 12.6in, 宽度 9.5in
  • 是否含画框 此作品未装裱
  • 分类 画图 低于US$500
matita su carta 关于这件艺术品: 分类, 技术技巧 & 款式. 石墨. 用铅笔制成的黑白图画,一种由小的木棍制成的乐器,用作长度相同的石墨矿的护套。. 技术 图画. 绘图是一种在平面支撑上进行视觉表示的技术。术语“绘图”既指绘图的动作、产生的图形工作,也指任何对象的形状。它也是物体或图形的形状(以及可能的光和影值)的表面上的表示,而不是它们的颜色。画法有很多种:“直线画”用物体的轮廓、边缘和一些特征线来表现物体;超出这个限制,绘画通过阴影表现体积来发展,通常通过阴影,结合颜色,并在没有清晰过渡的情况下加入绘画。. 相关主题. PitturaVioladimassimoArtePerformanceViola.
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Viola Di Massimo, (art course at the academy of fine arts of Rome, 1994) since 1988 has been attending personal and collective exhibitions, since 2011 has been opening her study to the public for conferences and [...]

Viola Di Massimo, (art course at the academy of fine arts of Rome, 1994) since 1988 has been attending personal and collective exhibitions, since 2011 has been opening her study to the public for conferences and events concerning and presenting her works.

Viola starts her research by means of dark and well definite sign; the pencil along the paper is, according to the artist, the truth of all the work.

She pursues her research making use of oil on various materials; but this isn't enough; the communication needs other means for making it as complete as possible, so she goes on searching about videos and audios in which her other expression, voiced by theatrical monologue, is turned into audio works.

For years Viola has been opening her study to the public for exhibitions and events and in the last years she has interrelated with musicians, actors, artists, art scholars and scholars that study and analyse as an art work can have energetic influence on the surrounding environment. These meetings and this research on how art can energetically influence the environment have the aim to get other things, to go further, to know other points of view and observation vital to the artist, and may be to anyone for a larger view of his world.

I think that creating is an act of pure alchemy where the author fuses himself with the creation, with the intensity of the colours, with the strength of the forms and the might of the signs.

And the “worst” thing is that this continuous fusing will have no end: as long as an art work lives it will never finish to take new meanings, to be observed, to have on itself eyes and spirits of unlimited spectators that at any occasion will turn it again and again in a new work without end.

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