数字艺术标题为“Down Where It's Wet…” 由Toby Leon, 原创艺术品, 照片蒙太奇

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Down Where It's Wetter Pt 2 (2018) 数字艺术由 Toby Leon

限量版

不出售

卖家 Toby Leon

限量版 (＃7/20) 数字艺术, 照片蒙太奇 / 2D数字工作在纸上

艺术品分类

限量版

该版本的制作已结束。制作的副本数量已确定，并在作品描述中注明。
外形尺寸 高度 24in, 宽度 24in
艺术品状况 艺术品完好无损
是否含画框 此作品未装裱
分类超现实主义鱼

Just because they're stuck doesn't mean they're trapped. Where could be better than down where it's wetter? Breakfast, lunch and dinner served on passing currents. Taking what they want, when they want, how they want. Through shifting tides — far and wide — snarling schools who should know better. Of course... they do wonder, sometimes, if it's as warm as they say in Mermaid Bay. Just a stone's throw away, but miles from the comfort of their undersea highway. Known only through rumour, daydreams and hearsay. They can't really be sure if it's really real, anyway. Still, they wonder... would their shell shine different? New patch, new views, bringing fresh shades 'n' hues. And perhaps they'd make friends if they changed scenery. Devil-may-care can be kind of lonely. All they know is they know nothing at all. And no matter how happy they are with their spot, curiosity's rotting its way through the lot. The call of adventure forever in earshot. Will it be better than down where it's wetter? There's no way of knowing but trying their luck.

关于这件艺术品: 分类, 技术技巧 & 款式

照片蒙太奇

打印照片的合成或使用软件通过组合另一张照片的一个或多个部分或全部，可以使照片具有不同的外观，并可以进行修饰和特殊效果。

超现实主义

它由作家安德烈·布雷顿（AndréBreton）于1923年创立，它将团结许多艺术家，如萨尔瓦多·达利（Salvador Dali）（1904-1989），马克斯·恩斯特（Max Ernst），勒内·马格利特（RenéMagritte）（1898-1967），维克托·布劳纳（Victor Brauner）（1903-1966）。在心理分析的影响下，他们将心理生活视为更新艺术的新领域。他们将开发新方法来创建和使用新材料。

技术数字艺术

数字艺术是指使用语言和数字设备、计算机、界面或网络的细节的一组多样化的创意类别。它自 1960 年代初发展为一种艺术类型。随着越来越多的数字艺术家参与其中，数字艺术已发展为几个不同的子类别，例如：分形艺术/算法、数据混合、动态绘画、2D 和 3D 计算机图形、像素艺术、数码摄影、照片绘画。

相关主题

Underwater Ocean Sea Water Blue

Toby Leon

澳大利亚

History Remixing. We imagine history into existence every day, shaping the world around us as we go. I remake histories with every piece. From a motley crew of tales tall and true. A melange of myths, signs and [...]

History Remixing

We imagine history into existence every day, shaping the world around us as we go. I remake histories with every piece. From a motley crew of tales tall and true. A melange of myths, signs and symbols. Every one ripe for my kitsch confections, which could all be legends one day.

Every piece I create is true. Sourced from truth and grounded by it. But never real. Reality's a fiction we're all subscribed to, which doesn't make it any less true. And that's the thing about the truth. Or the past. It moves in both directions. Myriad, in fact. Never sitting still or doing as it's told. Forever questioned, dissected, reframed and upended. Queered and inverted. Packaged and performed. Told, retold, adapted then sold. Evolving, like everything else. Which is why I like to think my art exists outside of time. Reaching for infinity. Not reality. A kaleidoscope of mish-mashed truths, which are only as surreal as we choose to make them...‍

Eternally Hungry

Born in Sydney, I spent my childhood surrounded by artists, oddballs and academics. They taught me to question everything. Respectfully and without fear.

Their coffee table books inspired my love of art and design. Vigorous debates over citywide dinner tables made me realise how complex the world is. Tales of lives spent abroad inspired my wanderlust. Their most important lesson? The value of being eternally hungry—that you should always leave enough room to taste something you've never experienced before.

Twenty-two countries and four continents later, I can find home anywhere with WiFi and a hearty chunk of intrigue. It's because of them, and I'm forever grateful.