The magic of the Night (2025) 数字艺术 由 Sofia Markina

美术纸, 12x7 in

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艺术图片银行
  • 该作品是“开放版” 数字艺术, GicléePrint / 数字打印
  • 外形尺寸 几种尺寸可供选择
  • 独家支持 (美术纸, 金属上的印刷, 画布上打印)
  • 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
  • 分类 天真的艺术 农村
In this series of digital fantasies inspired by the painting "Twilight," we dive into a magical world where nature and humanity coexist in enigmatic nighttime landscapes. The collection explores how darkness seamlessly transitions into light, creating an atmosphere of mysticism and enchanting beauty. Each painting in this series represents a unique [...]
In this series of digital fantasies inspired by the painting "Twilight," we dive into a magical world where nature and humanity coexist in enigmatic nighttime landscapes. The collection explores how darkness seamlessly transitions into light, creating an atmosphere of mysticism and enchanting beauty.

Each painting in this series represents a unique interpretation of an evening garden or forest shrouded in mysterious emerald-blue shadows. We encounter five girls, each embodying different feelings and states, glowing in the dark, which creates a sense of magic and emphasizes the connection between humanity and nature.

Four majestic trees located in different corners of the magical garden symbolize strength and life, their branches embracing the surrounding world, protecting it from winds and storms. A city street in the pre-dawn twilight reveals its beauty and mystery.

A dandelion, embodying tenderness and fragility, adds a playful note to the overall composition. A multitude of blooming plants, fluorescing in the night, fill the space with vibrant hues and magical scents, creating a feeling of joy and tranquility as the fear of the unknown gradually fades, giving way to calmness and coziness.

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MysteriesNightDigitalFantasyTwilight

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Sofia Markina, a candidate of technical sciences and a retired associate professor with 40 years of experience, has always found joy in creativity throughout her life. Although her primary career was deeply rooted [...]

Sofia Markina, a candidate of technical sciences and a retired associate professor with 40 years of experience, has always found joy in creativity throughout her life. Although her primary career was deeply rooted in science, she consistently and joyfully engaged in knitting, creating models, and selecting patterns. She crafted dresses, bags, swimsuits, and hats, infusing her daily life with creativity on a practical level.
Until recently, painting was a closed door for her. An art teacher once told her in school, "This is not for you, girl," and she believed him. However, during the pandemic, she learned about right-brain drawing and decided to explore this new avenue. This exploration became a revelation for her: she completed several courses, attended the Rumak School, fell in love with acrylics, and hopes she has finally found her unique style. Despite lacking formal artistic education, she has participated in twelve exhibitions and an art tour of Baikal.
Sofia Markina is a contemporary Russian artist. In her works, she strives to capture the fleeting images of our short lives, their multilayered nature, and complexity. She explores how we perceive ourselves and see others. Her fantastical, collage-like narratives are full of vibrant color experiments. Technically, she creates rich compositions filled with numerous characters, allowing the viewer to feel and embody various situations.
Sofia invites the viewer to collaborate: one does not see with just the eyes but with the mind. She outlines the painting and gives hints through color, leaving space for interpretation. What the viewer sees will form their own story in their mind, if they choose to see, if they wish to engage, if they are able. This concept is reminiscent of an old Dadaist game: "Find it, understand it, piece together this puzzle in your mind."
The illusion of perception is a distorted evaluation of either a real or fantastical image, creating a discrepancy between what a person sees and what exists in reality. Each individual will be absolutely convinced of their own correctness and may fervently defend their viewpoint or, conversely, pass by indifferently, perhaps tired or preoccupied. However, it may be worth taking a closer look once more, and you might see an entirely different story.

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