Urca Sunrise in Rio de Janeiro. (2023) 数字艺术 由 Sergio Kovalov

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View on Sugarloaf Mountain on Urca with palms, Rio de Janeiro, Brazil. Sunrise in Rio de Janeiro. 关于这件艺术品: 分类, 技术技巧 & 款式. 技术 数字艺术. 数字艺术是指使用语言和数字设备、计算机、界面或网络的细节的一组多样化的创意类别。它自 1960 年代初发展为一种艺术类型。随着越来越多的数字艺术家参与其中,数字艺术已发展为几个不同的子类别,例如:分形艺术/算法、数据混合、动态绘画、2D 和 3D 计算机图形、 像素艺术、 数码摄影、 照片绘画。. 相关主题. RioUrcaBrazilLatinAmerica.
View on Sugarloaf Mountain on Urca with palms, Rio de Janeiro, Brazil. Sunrise in Rio de Janeiro.

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RioUrcaBrazilLatinAmerica

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Sergio Kovalov is an architect, an artist. Born in 1989 in Kiev. Lives and works in Kiev. At the age of 13, he entered the Republican Art School named. T.G. Shevchenko (Kiev). In 2013 graduated fr om the National [...]

Sergio Kovalov is an architect, an artist. Born in 1989 in Kiev. Lives and works in Kiev. At the age of 13, he entered the Republican Art School named. T.G. Shevchenko (Kiev). In 2013 graduated fr om the National Academy of Fine Arts and Architecture, Faculty of Architecture. In 2014 joined the team of architects "Arhnamet", which determined further activities in the direction of tactical urbanism. From 2014 to 2018 created a lot of of projects in this format. From among others, it is possible to distinguish the project "enlight / slavutich", created in 2015 as an autonomous open-type office (solar-powered co-working). In 2014-2015, he worked in the company "Atelier Metropolitano" which deals with projects of slum revitalization, favel. Rio de Janeiro, Brazil. In 2015, the founder of the project "atelier. Intooutside" wh ere deal with tactical urbanism, projects of public spaces and product design. A participant in a number of collective exhibitions and on May 15, 2018 opened a personal exhibition "cobweb". I'm work with architectural and landscape compositions, focusing on the man-made pattern of the planet, which is geometrized and subject to natural harmony. Fresh impressions or memories of travels are always filled with color and expressive mood. My paintings are visualization of thoughts about architecture, urbanism and humanity as a whole. It is quite likely that someone or something observes life on the planet in the same way that we use microscopes to examine particles, matter and organisms that the human eye cannot see. From a height of hundreds of meters above the ocean level, you can see how human activity leads to permanent changes on Earth. The boundaries of reservoirs and riverbeds are changing, the area of glaciers is decreasing and the area of deserts is increasing, new ones are appearing. And man-made objects continue to develop and expand, being in continuous motion, creating new and new patterns of the human web that gradually weaves.

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