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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。

光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。

我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH,耐性和高质量的天然纸!
无论是在色彩控制还是在图形链方面,我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
关于艺术家! 您可以帮助艺术家活出自己的生活。 每当您购买印刷品时,他们都会获得使用费。
关于我们的优良打印购买许可证以将此图像用于您的网站、通信或销售衍生产品。
Usage: 网络许可证
1061 px | ||
![]() |
1500 px |
文件尺寸 (px) | 1061x1500 |
全球使用 | 是 |
用于多点支持 | 是 |
用于任何类型的媒体 | 是 |
转售权 | 没有 |
最大打印数量 | 0 (Zero) |
拟出售的产品 | 没有 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
油
在木上
- 外形尺寸 高度 27.6in, 宽度 19.7in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 波普艺术 女性裸体
Every stroke is a declaration—her violet net becomes armor, woven from memory and flame.
Her body is the threshold, a magnetic field between vulnerability and myth.
The hair flows like lava, braided in fire and dreams, revealing the sacred chaos I chase in my work.
The image emerged like breath held too long—urgent, present, impossible to ignore.
This piece was born from that insistence.
I use oil on wood, applied with both brush and fingertips, building layers of emotion and resistance.
The vibrant outlines are like veins of light, drawn from a palette that refuses silence.
This work belongs to my ongoing exploration of the "Symba" archetype—an embodied being that carries both the weight and the flight of identity. Symba is a mirror and a mask, a ritual of self-recognition.
My painting is a dialogue with archetypes, skin, texture, and the unspoken. I follow a method I call Grunge—it’s about finding harmony in roughness, intensity in quietness, sensuality in the raw gesture. I often combine oil paint with metallic leaf or sculptural backgrounds, to create a tactile and symbolic experience.
相关主题
Sensual PortraitViolet TonesFigurative PaintingExpressive ArtFishnet Tights
I don’t just paint faces.
I paint what pulses beneath the skin.
I was born in Rimini, Italy, where the sea and history shape the soul. I studied at the Istituto d’Arte Scuola del Libro in Urbino, then trained in illustration in Venice with Emanuele Luzzati and in Sarmede with Arcadio Lobato. My passion for large-scale painting led me to Florence, where I studied the ancient fresco technique.
For nearly a decade, I lived in London, collaborating on handmade ceramic murals and private pools for the Emirates market. Today I work in my studio in Rimini, alongside my sister Catia, creating unique ceramic and wood pieces — and painting what cannot be said in words.
My paintings explore the symbolic power of the face. Each portrait is not a likeness, but a vibration, a map of inner emotion. I work instinctively with a wide range of materials — oil, acrylic, tar, gold leaf, metallic foils, solvents, and whatever the process calls for. I let matter guide me: textures emerge, dissolve, resist, reflect. The surface becomes a ritual site — alive, layered, and emotional.
My artistic philosophy is rooted in experimentation and raw expressiveness. I embrace imperfection, contradiction, and the uncontrolled beauty of the unexpected. This gave birth to my personal language: Grunge Art — a visceral, mixed-media approach inspired by the emotional authenticity of Seattle’s grunge movement. My materials are not passive tools — they are living participants in the creation.
I don’t seek conventional beauty — I seek emotional truth.
My art is a visual alchemy of chaos and control, light and shadow.
Each piece is an invitation: to feel deeply, to see yourself reflected, and to connect beyond appearances.
I also offer commissioned portraits from photographs.
But don’t expect a copy.
Expect something that looks like you — more than you might want to admit.