Symba in Violet Armor (2021) 绘画 由 Sarita Nanni

油在木上, 27.6x19.7 in
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She kneels like a myth reborn, the fabric clings to her like armor, sculpted from silence and desire. Every stroke is a declaration—her violet net becomes armor, woven from memory and flame. Her body is the threshold, a magnetic field between vulnerability and myth. The hair flows like lava, braided in fire and dreams, revealing the sacred chaos I [...]
She kneels like a myth reborn, the fabric clings to her like armor, sculpted from silence and desire.
Every stroke is a declaration—her violet net becomes armor, woven from memory and flame.
Her body is the threshold, a magnetic field between vulnerability and myth.

The hair flows like lava, braided in fire and dreams, revealing the sacred chaos I chase in my work.
The image emerged like breath held too long—urgent, present, impossible to ignore.
This piece was born from that insistence.

I use oil on wood, applied with both brush and fingertips, building layers of emotion and resistance.
The vibrant outlines are like veins of light, drawn from a palette that refuses silence.

This work belongs to my ongoing exploration of the "Symba" archetype—an embodied being that carries both the weight and the flight of identity. Symba is a mirror and a mask, a ritual of self-recognition.

My painting is a dialogue with archetypes, skin, texture, and the unspoken. I follow a method I call Grunge—it’s about finding harmony in roughness, intensity in quietness, sensuality in the raw gesture. I often combine oil paint with metallic leaf or sculptural backgrounds, to create a tactile and symbolic experience.

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Sensual PortraitViolet TonesFigurative PaintingExpressive ArtFishnet Tights

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I don’t just paint faces. I paint what pulses beneath the skin. I was born in Rimini, Italy, where the sea and history shape the soul. I studied at the Istituto d’Arte Scuola del Libro in Urbino, then trained [...]

I don’t just paint faces.
I paint what pulses beneath the skin.

I was born in Rimini, Italy, where the sea and history shape the soul. I studied at the Istituto d’Arte Scuola del Libro in Urbino, then trained in illustration in Venice with Emanuele Luzzati and in Sarmede with Arcadio Lobato. My passion for large-scale painting led me to Florence, where I studied the ancient fresco technique.

For nearly a decade, I lived in London, collaborating on handmade ceramic murals and private pools for the Emirates market. Today I work in my studio in Rimini, alongside my sister Catia, creating unique ceramic and wood pieces — and painting what cannot be said in words.

My paintings explore the symbolic power of the face. Each portrait is not a likeness, but a vibration, a map of inner emotion. I work instinctively with a wide range of materials — oil, acrylic, tar, gold leaf, metallic foils, solvents, and whatever the process calls for. I let matter guide me: textures emerge, dissolve, resist, reflect. The surface becomes a ritual site — alive, layered, and emotional.

My artistic philosophy is rooted in experimentation and raw expressiveness. I embrace imperfection, contradiction, and the uncontrolled beauty of the unexpected. This gave birth to my personal language: Grunge Art — a visceral, mixed-media approach inspired by the emotional authenticity of Seattle’s grunge movement. My materials are not passive tools — they are living participants in the creation.

I don’t seek conventional beauty — I seek emotional truth.
My art is a visual alchemy of chaos and control, light and shadow.
Each piece is an invitation: to feel deeply, to see yourself reflected, and to connect beyond appearances.

I also offer commissioned portraits from photographs.
But don’t expect a copy.
Expect something that looks like you — more than you might want to admit.

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