IRISH SETTER (2022) 绘画 由 Sarita Nanni

木炭在纸上, 18.1x11.8 in
US$723.43
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美术纸, 12x8 in

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  • 原创艺术品 (One Of A Kind) 绘画, 木炭 在纸上
  • 外形尺寸 高度 18.1in, 宽度 11.8in
  • 艺术品状况 艺术品完好无损
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  • 分类 画作 低于US$1,000 形象艺术
"Irish Setter" is a deeply emotional work for me. I used charcoal on paper to capture a moment of quiet intensity—the kind of gaze that speaks without words. The dog’s eyes hold a story of loyalty, memory, and presence. With each mark, I followed that emotional thread, letting it guide my hand. I work through a personal philosophy I call “Grunge,” [...]
"Irish Setter" is a deeply emotional work for me. I used charcoal on paper to capture a moment of quiet intensity—the kind of gaze that speaks without words. The dog’s eyes hold a story of loyalty, memory, and presence. With each mark, I followed that emotional thread, letting it guide my hand.
I work through a personal philosophy I call “Grunge,” where classical portraiture merges with instinctive gestures, raw textures, and experimental layering. The background is just as meaningful as the subject—it reflects the inner world I perceive in the animal.
This piece is part of a body of work that includes custom pet portraits. I love turning your beloved animals into soulful works of art, full of expression and atmosphere. If you’d like a custom portrait of your own dog or cat, I accept commissions based on photos—every detail is created with care and emotional connection.

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Sarita NanniPet PortraitDog PortraitCharcoal PortraitBlack And White

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I don’t just paint faces. I paint what pulses beneath the skin. I was born in Rimini, Italy, where the sea and history shape the soul. I studied at the Istituto d’Arte Scuola del Libro in Urbino, then trained [...]

I don’t just paint faces.
I paint what pulses beneath the skin.

I was born in Rimini, Italy, where the sea and history shape the soul. I studied at the Istituto d’Arte Scuola del Libro in Urbino, then trained in illustration in Venice with Emanuele Luzzati and in Sarmede with Arcadio Lobato. My passion for large-scale painting led me to Florence, where I studied the ancient fresco technique.

For nearly a decade, I lived in London, collaborating on handmade ceramic murals and private pools for the Emirates market. Today I work in my studio in Rimini, alongside my sister Catia, creating unique ceramic and wood pieces — and painting what cannot be said in words.

My paintings explore the symbolic power of the face. Each portrait is not a likeness, but a vibration, a map of inner emotion. I work instinctively with a wide range of materials — oil, acrylic, tar, gold leaf, metallic foils, solvents, and whatever the process calls for. I let matter guide me: textures emerge, dissolve, resist, reflect. The surface becomes a ritual site — alive, layered, and emotional.

My artistic philosophy is rooted in experimentation and raw expressiveness. I embrace imperfection, contradiction, and the uncontrolled beauty of the unexpected. This gave birth to my personal language: Grunge Art — a visceral, mixed-media approach inspired by the emotional authenticity of Seattle’s grunge movement. My materials are not passive tools — they are living participants in the creation.

I don’t seek conventional beauty — I seek emotional truth.
My art is a visual alchemy of chaos and control, light and shadow.
Each piece is an invitation: to feel deeply, to see yourself reflected, and to connect beyond appearances.

I also offer commissioned portraits from photographs.
But don’t expect a copy.
Expect something that looks like you — more than you might want to admit.

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