The penitent (2004) Fotografie door Paul Scott

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Verkoper Paul Scott

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Was Roxanne really penitent? Was Roxanne (she who was loved by the man with the big nose) penitent at all? Well, surely the affair has more to do with the stupidity of men than with the perfidy of women? Anyway, she (this Roxanne) made a spirited stab at doing a Guido Reni. Don't know whether the painter appreciated it, but, on the whole, she[...]
Was Roxanne really penitent? Was Roxanne (she who was loved by the man with the big nose) penitent at all? Well, surely the affair has more to do with the stupidity of men than with the perfidy of women? Anyway, she (this Roxanne) made a spirited stab at doing a Guido Reni. Don't know whether the painter appreciated it, but, on the whole, she made a good job of confusing sexual excitement wih religious fervour, which, of course, was the whole point of the exercise, wasn't it?

Verwante thema's

NudeFemale NudeGuido ReniReligious FervourSexual Excitation

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I studied at Northampton Grammar School, then at Sheffield University and later at Bolton Institute of Technology. I would tell you about the paternoster in the Sheffield University Arts Tower, but it would[...]

I studied at Northampton Grammar School, then at Sheffield University and later at Bolton Institute of Technology. I would tell you about the paternoster in the Sheffield University Arts Tower, but it would probably be too much of a digression. I then worked at Stokes' Paint Factory (where I mixed paint) and subsequently in what was called at the time a lunatic asylum (where I looked after the lunatics), a venerable institution situated in Northampton founded in 1838 with its own nine-hole golf course and church designed by the celebrated architect Gilbert Scott, where I assisted, among other things, with their programme of electro-shock therapy. I was subsequently employed in all sorts of businesses and institutions too numerous to mention here. This dabbling in just about everything had the effect of giving me a reasonable grounding in what it means to be a human being, and, to a lesser extent, a grounding in the aesthetics of everyday life. Whatever that is. 

During this period, I represented four living artists for some time in the Northampton area. That was hard, but my long association with these four artists taught me much about art and art appreciation.

 I subsequently bought and sold eighteenth, nineteenth, and twentieth-century art. That was easier, but still not easy to make enough money to live on. 

During this whole time, I continued to draw, paint, and photograph what was around me.

I hope my feelings come through in what I do, and that my art expresses something of the wonder and strangeness of life.

I have lived in Estaing, Aveyron since 2008, and married a French woman (my second marriage) in 2017. We have two cats.

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