油在帆布上, 33.5x47.2 in
US$5,900
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原创艺术品 (One Of A Kind)
绘画,
油
在帆布上
- 外形尺寸 高度 33.5in, 宽度 47.2in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$20,000 超现实主义 裸体
FREE SHIPPING WORLDWIDE. Due to the war, russia started against my country, the international delivery can take about two to three weeks. About the artwork. This painting reimagines the ancient ouroboros symbol—a serpent consuming its own tail—within the context of contemporary queer identity. The central figure, part human and part leopard, wields [...]
FREE SHIPPING WORLDWIDE. Due to the war, russia started against my country, the international delivery can take about two to three weeks.
About the artwork
This painting reimagines the ancient ouroboros symbol—a serpent consuming its own tail—within the context of contemporary queer identity. The central figure, part human and part leopard, wields a long, serpentine tail that loops through and beyond the borders of the canvas. The tail defies containment, weaving unpredictably across the composition, until its very end is gripped firmly in the figure’s own hand.
The tail in “Blue Leopard” becomes a powerful metaphor for self-possession: the cyclical nature of self-discovery, the fluidity of desire, and the unending journey of owning one’s identity. For queer individuals, particularly in a world that often imposes conformity and restraint, reclaiming control over one’s narrative is both an act of courage and defiance. The leopard—wild, unapologetic, and sensual—embodies the raw instinct to break free from imposed boundaries, even when faced with fear or rejection.
The vivid, surreal palette transforms the scene into a dreamlike space where identity and desire intertwine and boundaries blur. The tail’s unpredictable presence throughout the canvas mirrors the omnipresence of instinct and longing, often hidden but never absent. By gripping its own tail, the figure asserts autonomy, turning chaos into a declaration of pride and self-acceptance.
“Blue Leopard” explores the cyclical journey of queer selfhood—a journey filled with freedom, repression, and rediscovery. It is a celebration of queer resilience, sensuality, and authenticity, while also confronting the complexities of identity and the struggle to embrace every part of oneself.
This painting invites viewers to reflect on their own inner conflicts and triumphs, and to celebrate the beauty of living unapologetically and embracing the wild, untamed parts of themselves.
PLEASE NOTE: The buyer will be responsible for paying international customs fees, determined by the country the artwork is being shipped to. Please check with your country's customs office to determine what these additional costs will be prior to making a purchase.
About the artwork
This painting reimagines the ancient ouroboros symbol—a serpent consuming its own tail—within the context of contemporary queer identity. The central figure, part human and part leopard, wields a long, serpentine tail that loops through and beyond the borders of the canvas. The tail defies containment, weaving unpredictably across the composition, until its very end is gripped firmly in the figure’s own hand.
The tail in “Blue Leopard” becomes a powerful metaphor for self-possession: the cyclical nature of self-discovery, the fluidity of desire, and the unending journey of owning one’s identity. For queer individuals, particularly in a world that often imposes conformity and restraint, reclaiming control over one’s narrative is both an act of courage and defiance. The leopard—wild, unapologetic, and sensual—embodies the raw instinct to break free from imposed boundaries, even when faced with fear or rejection.
The vivid, surreal palette transforms the scene into a dreamlike space where identity and desire intertwine and boundaries blur. The tail’s unpredictable presence throughout the canvas mirrors the omnipresence of instinct and longing, often hidden but never absent. By gripping its own tail, the figure asserts autonomy, turning chaos into a declaration of pride and self-acceptance.
“Blue Leopard” explores the cyclical journey of queer selfhood—a journey filled with freedom, repression, and rediscovery. It is a celebration of queer resilience, sensuality, and authenticity, while also confronting the complexities of identity and the struggle to embrace every part of oneself.
This painting invites viewers to reflect on their own inner conflicts and triumphs, and to celebrate the beauty of living unapologetically and embracing the wild, untamed parts of themselves.
PLEASE NOTE: The buyer will be responsible for paying international customs fees, determined by the country the artwork is being shipped to. Please check with your country's customs office to determine what these additional costs will be prior to making a purchase.
相关主题
Oleksandr Balbyshev 是一位当代乌克兰艺术家。巴尔比雪夫艺术中最重要的主题是男性的性欲和肉欲。艺术家希望观众能够看到面部和身体的思想境界，而不仅仅是人类的现实形象。他试图在他的绘画中结合现实，作为世界中世界的愿景。它们向我们展示了自己的形象，并暗示我们比我们所知道的要多。. Oleksandr Balbyshev 以将苏联时代的经典列宁肖像转变为极具装饰性和混乱的艺术作品而闻名。艺术家在跳蚤市场和互联网上的公告中发现了苏联时代制作的列宁的原始肖像和雕塑。他在旧的列宁肖像上作画，从名画碎片上或滴上颜料，将画布切成碎片并以混乱的方式将它们粘在一起，让它们为孩子们画，他将雕塑涂成有趣的颜色并粘上各种物体。由于这种艺术姿态，艺术家抹去了图像的宣传和思想意义，同时赋予其装饰性。然而，随着这种操纵的乐趣，艺术品获得了新的意义，一种游戏与严肃的矛盾组合，促使观众超越了公认的范式。. [...]
Oleksandr Balbyshev 是一位当代乌克兰艺术家。巴尔比雪夫艺术中最重要的主题是男性的性欲和肉欲。艺术家希望观众能够看到面部和身体的思想境界，而不仅仅是人类的现实形象。他试图在他的绘画中结合现实，作为世界中世界的愿景。它们向我们展示了自己的形象，并暗示我们比我们所知道的要多。
Oleksandr Balbyshev 以将苏联时代的经典列宁肖像转变为极具装饰性和混乱的艺术作品而闻名。艺术家在跳蚤市场和互联网上的公告中发现了苏联时代制作的列宁的原始肖像和雕塑。他在旧的列宁肖像上作画，从名画碎片上或滴上颜料，将画布切成碎片并以混乱的方式将它们粘在一起，让它们为孩子们画，他将雕塑涂成有趣的颜色并粘上各种物体。由于这种艺术姿态，艺术家抹去了图像的宣传和思想意义，同时赋予其装饰性。然而，随着这种操纵的乐趣，艺术品获得了新的意义，一种游戏与严肃的矛盾组合，促使观众超越了公认的范式。
亚历山大·巴尔比雪夫 1985 年出生于乌克兰。他的画作在美国、加拿大、英国、德国、荷兰、法国、意大利、西班牙、瑞士、葡萄牙、希腊、奥地利、瑞典、芬兰、捷克共和国、克罗地亚、南非、泰国、新加坡、澳大利亚被私人收藏、墨西哥和日本。
艺术家在 ArtMajeur 杂志的一篇文章中被强调:
您今天可以支持的 3,000 位乌克兰艺术家：Artmajeur 当代乌克兰艺术家的独家精选
Oleksandr Balbyshev - 乌克兰艺术家在战争期间的证词
战争中的乌克兰：生活在战争中的乌克兰艺术家的证词
亚历山大·巴尔比雪夫，明亮的画作
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