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Boyfriend's shirt (2013) 绘画 由 Oksana Veber
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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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Usage: 网络许可证
1071 px | ||
1500 px |
文件尺寸 (px) | 1071x1500 |
全球使用 | 是 |
用于多点支持 | 是 |
用于任何类型的媒体 | 是 |
转售权 | 没有 |
最大打印数量 | 0 (Zero) |
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
油
在帆布上
- 外形尺寸 高度 27.6in, 宽度 19.7in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 表现主义 肖像
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Born in Siberia to a Ukrainian-German family, the artist painter works from her studio in London. Oksana's work is wide-ranging, from landscapes to portraits. She has lived in the UK since 2010, and in the Czech Republic for several years. She studied art at Bryansk Art College and Kyiv Academy of Fine Arts, and later BA in Psychology from the Academy of Human Resource Management in Kyiv. A member of the UK Artists Union, Oksana has been painting since the age of four and exhibiting since 1987. Her paintings can be seen in galleries and private collections worldwide. Her style has changed over the years. The first paintings were landscapes that reflected a fascination with Daoism and other Eastern philosophies and included themes of peace and harmony. Recent works contain the same theme, but by depicting women in a warm and positive style. The subtle use of colours, ranging from warm wood to gold and copper, gives these paintings a unique and sensual aura. Over the past seven years, she has participated in art workshops in Croatia and Bulgaria, which has allowed the artist to pursue her love of nature and work in harmony with it. The art style continues to evolve, and the paintings are becoming more abstract. The use of colour, line, and form demonstrates communication and connection between the figures and the background while conveying movement that brings each work to life.
Oksana's statement: “The beauty and harmony of nature always inspires me, and my paintings are an attempt to reflect and capture this. My earliest childhood memories are of sitting in a tree overlooking a gorge and watching the first rays of morning sun mingle with the bands of mist rising from fields of tall grass before slowly dissipating. Whether I paint a woman's body, a still life, or a landscape, I use lines and colours to record this feeling of harmony on a canvas. Pictures often come to me in my dreams at night – with the combination of colours and the composition appearing very lifelike. When I wake, I quickly sketch the images I have seen in my dreams before they disappear in the daylight.”