


让我们知道您是否想看到这件艺术品的更多照片!
- 工作的背面 / 工作的一面
- 细节 / 签名 / 艺术品的表面或纹理
- 情境中的艺术品, 其他...
Resoluteness & Reticence (BT296/297) (2025) 绘画 由 Noël Van Hoof
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。

光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。

我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH,耐性和高质量的天然纸!
无论是在色彩控制还是在图形链方面,我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
关于艺术家! 您可以帮助艺术家活出自己的生活。 每当您购买印刷品时,他们都会获得使用费。
关于我们的优良打印购买许可证以将此图像用于您的网站、通信或销售衍生产品。
Usage: 网络许可证
1228 px | ||
![]() |
1500 px |
文件尺寸 (px) | 1228x1500 |
全球使用 | 是 |
用于多点支持 | 是 |
用于任何类型的媒体 | 是 |
转售权 | 没有 |
最大打印数量 | 0 (Zero) |
拟出售的产品 | 没有 |
购买后立即下载
此图片可以用许可证下载: 您可以随时下载它们。
限制
所有在ArtMajeur的图像是由艺术家创作的原创作品,所有权利是严格保留的。获得许可证后有权根据相应条款使用或利用图像。可以进行微小的修改,如重构或重新聚焦图像,使其完全符合新项目要求,但是,禁止进行任何可能损害原始作品的修改。其完整性(形状修改,扭曲,切割,改变颜色,添加元素等),除非事先从艺术家获得书面授权。
定制许可证
如果您的用途不在我们的标准许可证范围内,请联系我们获取定制许可证。
艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
水彩
在纸板上
-
外形尺寸
19.7x15.8 in
单独工作的尺寸,不带框架: 高度 14.2in, 宽度 11.8in - 艺术品状况 艺术品完好无损
- 是否含画框 这件作品是诬陷 (框架+玻璃下)
- 分类 画作 低于US$1,000 插图 奇妙
In hearing the call understandingly, one denies oneself any counter-discourse, not because one has been assailed by some 'obscure power', which suppresses one's hearing, but because this hearing has appropriated the content of the call unconcealedly. In the call one's constant Being-guilty is represented, and in this way the Self is brought back from the loud idle talk which goes with the common sense of the “they”. Thus the mode of Articulative discourse which belongs to wanting to have a conscience, is one of reticence. Keeping silent has been characterized as an essential possibility of discourse. Anyone who keeps silent when he wants to give us to understand something, must 'have something to say'. In the appeal Dasein gives itself to understand its ownmost potentiality-for-Being. This calling is therefore a keeping-silent. The discourse of the conscience never comes to utterance. Only in keeping silent does the conscience call; that is to say, the call comes from the soundlessness of uncanniness, and the Dasein which it summons is called back into the stillness of itself, and called back as something that is to become still. Only in the reticence, therefore, is this silent discourse understood appropriately in wanting to have a conscience. It takes the words away from the common-sense idle talk of the “they”.
The common-sense way of interpreting the conscience, which 'sticks rigorously to the facts', takes the silent discourse of the conscience as an occasion for passing it off as something which is not at all ascertainable or present-at-hand. The fact that “they”, who hear and understand nothing but loud idle talk, cannot 'report' any call, is held against the conscience on the subterfuge that it is 'dumb' and manifestly not present-at-hand. With this kind of interpretation the “they” merely covers up its own failure to hear the call and the fact that its 'hearing' does not reach very far.
The disclosedness of Dasein in wanting to have a conscience, is thus constituted by anxiety as state-of-mind, by understanding as a projection of oneself upon one's ownmost Being-guilty, and by discourse as reticence. This distinctive and authentic disclosedness, which is attested in Dasein itself by its conscience – this reticent self-projection upon one's ownmost Being-guilty, in which one is ready for anxiety – we call “resoluteness”.
(Translation by John Macquarrie and Edward Robinson)
相关主题
Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a passe-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.