


让我们知道您是否想看到这件艺术品的更多照片!
- 工作的背面 / 工作的一面
- 细节 / 签名 / 艺术品的表面或纹理
- 情境中的艺术品, 其他...
The Finite Futurity (BT425) (2025) 绘画 由 Noël Van Hoof
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。

光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。

我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH,耐性和高质量的天然纸!
无论是在色彩控制还是在图形链方面,我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
关于艺术家! 您可以帮助艺术家活出自己的生活。 每当您购买印刷品时,他们都会获得使用费。
关于我们的优良打印购买许可证以将此图像用于您的网站、通信或销售衍生产品。
Usage: 网络许可证
1260 px | ||
![]() |
1500 px |
文件尺寸 (px) | 1260x1500 |
全球使用 | 是 |
用于多点支持 | 是 |
用于任何类型的媒体 | 是 |
转售权 | 没有 |
最大打印数量 | 0 (Zero) |
拟出售的产品 | 没有 |
购买后立即下载
此图片可以用许可证下载: 您可以随时下载它们。
限制
所有在ArtMajeur的图像是由艺术家创作的原创作品,所有权利是严格保留的。获得许可证后有权根据相应条款使用或利用图像。可以进行微小的修改,如重构或重新聚焦图像,使其完全符合新项目要求,但是,禁止进行任何可能损害原始作品的修改。其完整性(形状修改,扭曲,切割,改变颜色,添加元素等),除非事先从艺术家获得书面授权。
定制许可证
如果您的用途不在我们的标准许可证范围内,请联系我们获取定制许可证。
艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
水彩
在纸板上
-
外形尺寸
19.7x15.8 in
单独工作的尺寸,不带框架: 高度 14.2in, 宽度 11.8in - 艺术品状况 艺术品完好无损
- 是否含画框 这件作品是诬陷 (框架+玻璃下)
- 分类 画作 低于US$1,000 插图 奇妙
But just as he who flees in the face of death is pursued by it even as he evades it, and just asin turning away from it he must see it none the less, even the innocuous infinite sequence of “nows” which simply runs its course, imposes itself 'on' Dasein in a remarkably enigmatical way. Why do we say that time passes away, when we do not say with just as much emphasis that it arises? Yet with regard to the pure sequence of “nows” we have as much right to say one as the other. When Dasein talks of time's passing away, it understands, in the end, more of time than it wants to admit; that is to say, the temporality in which world-time temporalizes itself has not been completely closed off, no matter how much it may get covered up. Our talk about time's passing-away gives expression to this 'experience': time does not let itself be halted. This 'experience' in turn is possible only because the halting of time is something that we want. Herein lies an inauthentic awaiting of 'moments' – an awaiting in which these are already forgotten as they glide by. The awaiting of inauthentic existence – the awaiting which forgets as it makes present – is the condition for the possibility of the ordinary experience of time's passing-away. Because Dasein is futural in the “ahead-of-itself”, it must, in awaiting, understand the sequence of “nows” as one which glides by as it passes away. Dasein knows fugitive time in terms of its 'fugitive' knowledge about its death. In the kind of talk which emphasizes time's passing away, the finite futurity of Dasein's temporality is publicly reflected. And because even in talk about time's passing away, death can remain covered up, time shows itself as a passing-away 'in itself'.
(Translation by John Macquarrie and Edward Robinson)
相关主题
Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a passe-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.