A Ferocity of Being (2024) 数字艺术 由 Miriam Morgan
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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Usage： 网络许可证
| 1500 px | ||
|
1500 px |
| 文件尺寸 (px) | 1500x1500 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
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艺术图片银行-
该作品是“开放版”
数字艺术,
GicléePrint / 数字打印
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 艺术品状况 艺术品完好无损
- 分类 表现主义 神秘主义
I’m working gradually toward a more expressive, surrealist style — which is helpful considering that my reference photo for this drawing was a little girl with curly red hair and freckles. Clearly, a likeness wasn’t meant to be achieved this go around.
What resulted instead was a rather androgynous looking person with a fierce and mysterious expression. I felt a bit like Napoleon Dynamite toward the end (“It took me like three hours to finish the shading on your upper lip.”).
Indeed, their upper lip gave me fits. So… next time, I’ll choose a reference with more emphasis on that area of the face. I’m determined to overcome these creative challenges in the year ahead.
相关主题
To me, creating art is a spiritual exploration, and if I’ve succeeded, the finished piece invites the viewer to embark on an exploration of their own.
My creative journey began in childhood and was further nurtured by an inspiring teacher in middle school. Where I was self-effacing and, like most pre-teens, didn’t take my work seriously, she saw my potential. I often think of her with gratitude, as her encouragement led me to honor my artistic ability and pursue it with dedication.
Since then, my influences have ranged from the opulent mysticism of Gustav Klimt to Egon Schiele’s raw expressiveness and Maxfield Parrish’s radiant dreamscapes, which somehow possess a solidity that feels real. These artists' works reflect a belief I hold dear, shaped by the teachings of Neville Goddard: that all reality originates in consciousness. This idea is what I aim to express in my work, even in what might appear to be the most mundane portraiture. To me, nothing is mundane, and all is divine.
Over the years, I’ve evolved from working traditionally in mixed media—layering drawing, painting, and textiles, blending the tangible and the intangible—to working digitally in Procreate. Recently, I’ve begun revisiting older works kept “in the closet,” reworking and developing them digitally to create something fresh. In this way, I’m bringing both my art and myself out of hiding.
