Milos Hronec is a contemporary Slovak painter whose artistic identity has been unmistakably influenced by the lively city of Bratislava. His artistic exploration spans the realms of oil painting, acrylics, spray art, and drawing, revealing a dynamic and versatile creator.
Hronec's formal expression draws inspiration from a synthesis of expressionism, street art, and graffiti, reflecting the urban energy of his Bratislavan environment. His artistic narrative is a convergence of historical consciousness and contemporary relevance, capturing the ceaseless flow of time, human evolution, technological advancements, and the transient nature of existence.
In his creative process, Hronec intertwines elements of classic historical painting with the vibrant dynamism of graffiti. This unique fusion is brought to life through a technique that marries traditional oil painting with the bold strokes of spray paint, resulting in a captivating interplay of colors and forms.
The essence of Hronec's work is both figurative and expressive, a harmonious blend of established artistic methodologies and spontaneous improvisation. Within each stroke and spray, there lies a narrative that speaks to the artist's fascination with the complex interplay between historical context and contemporary urgency.
Hronec's artistic footprint extends across the globe, with his works finding homes in private collections in the United States, Canada, Australia, Malaysia, Saudi Arabia, Israel, and numerous European countries. His ability to resonate with audiences on a global scale underscores the universal appeal of his art, transcending geographical boundaries and cultural divides.
Milos Hronec, through his innovative fusion of traditional and contemporary elements, invites viewers to embark on a visual journey that navigates the intricate tapestry of time, history, and expression. His canvases serve as vibrant reflections of a world in constant flux, where the past and present converge in a harmonious dance of color and form.
I took pictures of new paintings and I'm looking forward to gradually presenting them to you.
I often go around the paintings for weeks at a time. I look at them from all sides, observe what I did well, what I did wrong and think about different potential possibilities to modify them.
I am often fascinated by the idea of how and where these canvases end up. Will this piece be crumbling in someone's attic in 100 years? And will this painting be hung on someone's wall on the other side of the world? Maybe that piece will be lucky and end up in the depository of some gallery. And maybe none of that when I decide to repaint them all later.
