Pewter and Chrome on Black (2008) 绘画 由 Mick Rafferty
不出售
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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Usage： 网络许可证
| 1494 px | ||
|
1500 px |
| 文件尺寸 (px) | 1494x1500 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
搪瓷
/
颜料
在帆布上
-
外形尺寸
18.1x18.1 in
单独工作的尺寸，不带框架： 高度 15.8in, 宽度 15.8in - 是否含画框 这件作品是诬陷 (Floating Frame)
- 分类 画作 低于US$1,000 抽象主义
Pewter and chrome paints (craft paint bottles) supplying the pourable elements carefully dripped and applied to the top of the pre-painted still wet black canvas.
Black stained frame surrounding the canvas.
Monochrome impersonal approach to paintings a reference to artists such as Stella, Charlton, Albers
相关主题
My art practice could best be described as eclectic. There exist many commonalities, shared perspectives and adaptable aesthetic and theoretical values applicable to most aspects of art production. I regard it as a challenge and an adventure to work within a variety of subjects, approaches and media whilst maintaining a consistency and a workable systematic and stylistic formula. Recent paintings exploiting the physicality and reaction of paints (Gravitas and Gravity Series) have been completed within the last few years. Within many of these paintings I set up situations where the paint is able to respond to gravity and the influences of material content. Paint application is very rarely by brush; pouring, dripping, drizzling and flicking predominate. Masking tape polices the no-flow zones.
All of these paintings are carried out with commercial gloss paints. The consistency and fluidity of such paint render it the most suitable medium for the subject and content of these works. These pieces explore behaviour and consequence. Paint could be seen as a metaphor for some human traits, be they well mannered, wayward, cooperative, dysfunctional, discordant, harmonious, complementary, aggressive, biddable or demanding.
This can be perceived as the message of and within these works, or you can simply enjoy them for the visual and playful surprises and memory-jogs that the physical and subliminal content may contain.
Mick Rafferty has exhibited in several locations in the UK including 3 times at the University of Warwick, Coventry University, Upton House in Poole, Leamington Spa, Earlsdon, Godmanchester, Bristol, Banbury, Hoxton, Varenna; Italy, Malvern Theatre and Knapp Gallery Regents Park London
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