White Phoenix (2022) 摄影 由 Masahiro Hiroike

摄影, 23.6x35.4 in
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This photo was taken using a technique called ICM (Intentional camera movement). In Japan, in winter, towns and commercial facilities are decorated with "illuminations" consisting of numerous LEDs. In particular, amusement parks use more than one million LEDs to express landscapes and stories. When I was photographing the illuminations, I accidentally [...]
This photo was taken using a technique called ICM (Intentional camera movement).

In Japan, in winter, towns and commercial facilities are decorated with "illuminations" consisting of numerous LEDs. In particular, amusement parks use more than one million LEDs to express landscapes and stories. When I was photographing the illuminations, I accidentally moved the camera and noticed that the light in the photo appeared as dotted lines. Upon investigation, I found that the LEDs used in illuminations have an alternating current cycle, that is, they flash 50 to 60 times per second.
I photographed these illuminations using a technique called ICM (Intentional camera movement). When you photograph illuminations while moving the camera, the flashing LEDs appear as dotted lines, and if you move it vertically and horizontally, for example, it appears like "cloth." The difference with fireworks is that it is "light that is close and always there." By weaving "threads of light" with the photographer's "intention," various scenes can be depicted, and it expresses feelings that are difficult to express in normal photographs. This is a fusion of the conscious and the unconscious, a surrealism of photography.

The artwork is available in several sizes. Even the largest prints are very detailed. See the enlarged images.

60 x 40cm: 9 copies, 90 x 60cm: 5 copies, 120 x 80cm: 3 copies, 150 x 100cm: 3 copies

I have a large-format Canon printer, ImagePrograf PRO-4100, at home, which can handle 112cm wide rolls of paper, so I print them myself with perfect color adjustment.

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FireworksIcmSurrealismJapan

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Hiroike is a Japanese photographer born in 1962. In 2020, he was selected as a finalist at the Sony World Photography Awards, the world's largest photo contest, and began his career as a photographer. In 2023, [...]

Hiroike is a Japanese photographer born in 1962. In 2020, he was selected as a finalist at the Sony World Photography Awards, the world's largest photo contest, and began his career as a photographer. In 2023, he was selected as the winner of the Dutch photo contest "LensCulture Critics' Choice" by Darius Himes of the auction house "Christie's". Solo exhibitions organized by museums in Japan and Poland have been held. In 2024, he made his debut as a writer for the 90-year-old "Yamakei Calendar", becoming one of Japan's leading landscape photographers.

Hiroike encountered computers at the Faculty of Engineering at Hiroshima University, and has been involved in the development of industrial robots, CAD, and WEB systems as a systems engineer for over 30 years. He began taking photographs in earnest after developing many photo display programs.

Since childhood, he has enjoyed outdoor sports such as stream fishing, cycling, and mountain climbing. He has built his own log house in the forest of his own design and has lived with nature. He has a reverence for nature and mainly photographs the rare nature and landscapes of Japan, which are rare in the world. Inspired by Japanese paintings such as sumi-e, Hiroike approaches them with a uniquely Japanese aesthetic sense, such as "Utsuroi" (transition) and "Wabi-Sabi".

At the same time, he incorporates random and unpredictable elements, and studies and shoots surrealist photography. In particular, he creates abstract works by expressing "afterimages", one of the human visual phenomena, through ICM (Intentional Camera Movement).

Landscape photography is done by investigating and studying various conditions, and thinking it through logically, but if you take it to the extreme, your field of vision becomes narrow. Surrealism stimulates the photographer's own sensibilities, unearths a sleeping aesthetic sense from the unconscious, and broadens the scope of expression. Landscape photography and surrealist photography seem to be contradictory, but for Hiroike, they are the two wheels of a car that allows him to continue to express himself at a higher level.

As an engineer in Japan, a country of cameras, he is also committed to "high-definition photography". While shooting with high-resolution digital cameras, he also puts more effort into output than anyone else. He has a print studio in his home, where he uses a large printer and panel mounting machine to print, panelize, and frame 2m x 1m works.

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