Wild Botanical – Field of Gold (2024) 数字艺术 由 Martyn Dymott

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Driving through the countryside as the fields of yellow crops appear. 关于这件艺术品: 分类, 技术技巧 & 款式. 数字油画. 这些技术是使用数字工具,计算机,图形输入板,手写笔和软件执行的,并创建了传统的绘画技术,例如水彩,油,水粉. 技术 数字艺术. 数字艺术是指使用语言和数字设备、计算机、界面或网络的细节的一组多样化的创意类别。它自 1960 年代初发展为一种艺术类型。随着越来越多的数字艺术家参与其中,数字艺术已发展为几个不同的子类别,例如:分形艺术/算法、数据混合、动态绘画、2D 和 3D 计算机图形、 像素艺术、 数码摄影、 照片绘画。.
Driving through the countryside as the fields of yellow crops appear.
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A self-taught artist for some years Martyn was a traditional colourist and in recent years he was finding it more and more difficult to find inspiration for his approach to using brush and paint. Martyn has now [...]

A self-taught artist for some years Martyn was a traditional colourist and in recent years he was finding it more and more difficult to find inspiration for his approach to using brush and paint.

Martyn has now re-emerged has a painter using the same brushes and a plethora of other painting techniques found in current digital painting platforms. Whilst using all the tools of traditional painting, for example; sponges, rollers, sprays, pens and still brushes, he has rediscovered his creative urge within a digital studio.

Martyn believes that it is important to differentiate between forms of digital art which may include manipulation of images and his approach which is firmly rooted in the techniques of the visual arts.

Not only has Martyn’s creative inspiration returned but he has now stepped away from a figurative approach and found an infinity of possibilities in abstract and expressionist depictions of what inspires his urge to continuously paint.

 

Inspiration can come anytime from any of the senses, so there is no more staring in desperation at a blank canvas on a studio easel.

In painting digitally Martyn creates layers of colour, often using a mixture of painting techniques and then slowly transforms this combination by perhaps changing the order of the layers, erasing some parts of a layer, or reducing the opaqueness of the paint until something happens.

Paintings can sit in a folder as a working image for some time and will be revisited or played with until Martyn is satisfied that he can do no more.

 

Being digital paintings Martyn must print these for exhibition or sale and based on advice from an art photographer he sends his completed work to a photographic laboratory in Germany where they are printed directly onto an aluminium dibond surface using 22 colours providing an Ultra HD matte finish. Each painting is fixed with aluminium hanging bars already to go on show.

Each artwork is sold as a unique original painting.

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