Prayer (2021) 绘画 由 Margarita Dyushko

丙烯在帆布上, 15.8x15.8 in
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This painting depicts the emotional state during desperate, fervent prayer. A state in which tears, words, thoughts and breath are intertwined into a single white wave. Prayer uplifted. Whether to God, the universe, to himself? The picture is made in black tones, the edges are painted black.
This painting depicts the emotional state during desperate, fervent prayer. A state in which tears, words, thoughts and breath are intertwined into a single white wave. Prayer uplifted. Whether to God, the universe, to himself?
The picture is made in black tones, the edges are painted black.

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ЕxpressionismEyesTearsSightBlack

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Born on 12.05.1992 in Minsk. In 2012 graduated from the Minsk State Art College named after A.K. Glebov, specialization - easel painting.Improvisation, the context of the 20th-21st centuries and motherhood[...]

Born on 12.05.1992 in Minsk. In 2012 graduated from the Minsk State Art College named after A.K. Glebov, specialization - easel painting.Improvisation, the context of the 20th-21st centuries and motherhood are the main components of Margarita's works.
"What happened in the 20th century, more precisely Auschwitz and other horrors of war, is very shocking, it is shocking that such a thing is possible in the modern world, and I am frightened by the possible repetition. It would seem that in the 21st century, humanity has already passed this, but now we still face cruelty, discrimination on any grounds. Humanity has not outgrown, has not retrained."


It is worth noting that expressionism manifests itself not only through the ready-made images in Margarita's works, but also in the way she creates them. It is as if she is conducting the brush, through which the character of the stroke and color is revealed. She mixes contrasting blues and purples with delicate greens and sickly pinks. Because of this there is a 3D effect, her painting becomes "tasty", she wants to touch it. Although Margarita trusts improvisation and gives herself completely to the process "here and now", she can resort to sketches, because they help to present the idea in an even more expressive way, thinking out some details in advance.

Motherhood also influenced the artist's work from the technical side: she stopped using oil because of the smell. Therefore, Margarita uses acrylic in her painting, and only occasionally may add some details in oil. "Many works were created under the influence of very heavy emotions and worries about what is happening in the outside world. And motherhood, which appeared in my life, also gave me a load of personal responsibility.  Faced with reality, you realize that you have to cope with what's inside and what's happening outside."



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