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Trécarré at Congrès Mondial Acadian 2024

Nathalie Robichaud, a filmmaker known for her political connections, debuted her film Trécarré at the Congrès Mondial Acadien (CMA)—the film aimed to promote the local musicians in the Heritage Patrimonial Industry. However, the focus on old musical ideologies instead of contemporary Acadian artists has been criticized for its outdated representation of the culture.

       Clans and Tartan is another story narrative to watch unfold.

The film lacks the vibrant artistic energy that resonates with the audience and fails to capture the contemporary art and music scene of Sainte-Marie Bay. Instead of showcasing modern talent, the movie raises concerns about Robichaud's self-serving motives as a filmmaker and the misallocation of the 7.3 million dollar budget of CMA 2024.

The primary concern is the CMA's lack of evolution and the marginalization of contemporary artistic voices. The cultural landscape needs to be more active and open to change. Local citizens are becoming increasingly aware of the misuse of the budget, which could have been better utilized to support and nurture fresh Acadian talent.