dining chair (2019) 雕塑 由 Lou Hong

《餐椅》是弥一长大一些的创作，作品表现了端坐状态的弥一，神情舒然自得，手指还是那样灵动富有弹性，作品灵感来源于给他买的餐椅，他在吃饭的时候要求他坐进餐椅里面吃饭，但他内心是特别不守规矩的，不愿意束缚于餐椅之上，就像是父母强加于孩子的框架和规矩，但作为孩子的天性是向往自由的探索与发现，这个造型上面吸取了埃及的装饰艺术，也借鉴了传统造像里面的一些着衣制式，腰间的小鸟就是自由的钥匙，引导着他律动的手指，揭示他渴望自由的内心态度。

The “Dining Chair” is the creation of Yayi when he grows up, the work shows Yayi sitting in a state of comfort, his fingers are still as agile and elastic, the inspiration for this work comes from the dining chair bought for him, he was asked to sit in the dining chair to eat when he eats, but he is particularly unruly in his heart, he is unwilling to be tied to the dining chair, just like the framework and rules imposed on the child by his parents, but as a child nature is yearning for freedom of exploration and discovery, this shape draws on Egyptian decorative arts, and also draws on the traditional statues of some of the clothing system, guiding his rhythmic movement of the bird at the waist is the key to freedom. But as a child's nature is to aspire to the freedom of exploration and discovery, this modeling above the Egyptian decorative arts, but also borrowed from the traditional statue of some of the clothing system, the bird at the waist is the key to freedom, guiding his rhythmic fingers, revealing his desire to be free of the attitude of the heart.

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