APOS I (2024) 雕塑 由 Krzysztof Plonka
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| 1061 px | ||
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1500 px |
| 文件尺寸 (px) | 1061x1500 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
雕塑,
青铜
在金属上
- 外形尺寸 高度 19.7in, 宽度 15.8in / 30.00 kg
- 艺术品状况 艺术品完好无损
- 适合户外? 没有, 这件艺术品不能在户外展示
- 分类 波普艺术 男性裸体
The face itself is a study in contrasts, with exaggerated features that evoke a sense of raw emotion and primal energy. The hollow eyes and open mouth suggest a silent scream or a cry of existential angst, adding a layer of psychological depth to the artwork. The abstract nature of the face allows for multiple interpretations, inviting viewers to project their own emotions and narratives onto the piece.
The sculpture is mounted on a sleek, black marble pedestal, which provides a stark contrast to the golden hue of the face. This juxtaposition of materials and colors enhances the visual impact of the artwork, drawing the viewer's eye upward and emphasizing the verticality of the piece. The marble base also adds a sense of stability and permanence, grounding the ethereal quality of the golden face.
Overall, this sculpture is a testament to the artist's ability to merge traditional techniques with contemporary sensibilities, resulting in a work that is both visually stunning and emotionally resonant. It stands as a powerful exploration of the human condition, inviting contemplation and introspection.
相关主题
Krzysztof Plonka is a sculptor, painter and versatile multimedia artist .
In addition to creating monumental, sophisticated bronze monoliths, he has been engaged in creating cinematic art, games and music videos for years.
By combining a variety of means of expression, he composes precise and avant-garde works on the border of art, film and new media. He collaborated on special effects for productions such as "Avatar II", "Get Even", "The Witcher" and "Medium". His diverse work goes beyond the film industry, also encompassing painting and sculpture, immersed in the current of surrealism.
He draws inspiration from the artistic heritage of surrealist masters such as H.R. Giger and Zdzisław Beksiński, creating a futuristic fusion from it. He consistently crosses the boundaries of established conventions, mixing incompatible registers. He creates hybrid objects, performances and installations that question established modes of perception. He materializes visions that elude rational conceptualization, provoking new, refined aesthetic experiences.
Encountering the work of this artist, the viewer experiences a variety of emotions - from anxiety and disorientation to spiritual and transcendental experiences. His works emanate a sense of encountering art from another planet, forcing the viewer to abandon established categories and conventions. Rejecting mimetic representations, he confronts the viewer with a construct of seemingly contradictory elements, generating an effect of destabilizing fascination. In this way, he develops an idiom of unstable reality, based on discontinuous, dynamic configurations. His practice constantly challenges established taxonomies, dismantling the boundaries between creative disciplines.
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