BACK TO ITS ROOTS. (2024) 图画 由 Knight Sherring

墨在纸板上, 30x22 in
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美术纸, 11x8 in

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board. Around 150 years ago Europe was flooded with African art due to colonial expansion in Africa and the missionaries. The result of this was that many artists including Picasso were introduced to a new way of thinking and that gave birth to Abstract art which has thrived up until today’s art world. The thinking behind my art is, what if we took [...]
board.
Around 150 years ago Europe was flooded with African art due to colonial expansion in Africa and the missionaries. The result of this was that many artists including Picasso were introduced to a new way of thinking and that gave birth to Abstract art which has thrived up until today’s art world. The thinking behind my art is, what if we took today’s knowledge of the abstract language, took it back to its roots and began all over again, in the hope of discovering a new route to take the visual language and give us a greater understanding of how we view things.

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I am a full-time artist, trained at Falmouth School of art. My work is basically all about the study of the Language of art. I believe that all artists use the same language no matter what their style is, it could [...]

I am a full-time artist, trained at Falmouth School of art. My work is basically all about the study of the Language of art. I believe that all artists use the same language no matter what their style is, it could be expressionism or it could be life drawing or hard-edge abstraction, the language used is the same, the only difference is the composition. My work is a bit like studying a dictionary before writing a book.

Always in the back of my mind is the freedom that I had when I was a child who picked up a crayon, for the first time and started to make marks on a piece of paper. It could be said that I have been trying all my life to get back to that point, but with the knowledge that I have gained over the years.

After leaving Art School and hitting the real world I soon discovered that it was not possible to make a living from my art, I did not want to be one of those poor struggling artists who believed that the world owed them a living. It was at this time that I decide to work at any job and save money in the hope that I could become self-sufficient. It was at this time that I moved to London where work was easy to come by and at the same time to be close to all the galleries that London had to offer. I had many different jobs from warehouse work, and labouring on building sites to being a crew member on a charter yacht.

Well to cut a long story short, it took me 30 years to be in a position where I could finally say that I had sufficient funds to follow my dreams, I sold my house and anything of value and moved back to Cornwall, to the town of Falmouth where I  started my art education and 15 years on I am happy to say that I am living the life of an artist.

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