Framed small mindscape divine darkness and light master O KL (2024) Pintura por Kloska Ovidiu

This is an original signed painting with the title " COMPOSITION 50 " from the Series " Between the Black and divine " finished in March 2024 with professional acrylic and spray paints on cardboard. The painting is ready to hang and varnished to protect the colors in time !
Artwork measures 32 x 32 x 4 cm and contain original signature on the front and back side March 2024.

With passion I try to give a certain allure to my works and I think that my stamp is very related to the approach of the light, to the treatment of light in painting. I am fascinated by certain plastic configurations that receive a certain value due to an intensity of light. I am interested as a painter in this ephemeral that we encounter around us.
It influences me a lot and I am often inspired by walls from used areas, from cracked sidewalks, from rusty fences. There is an absolutely fascinating plasticity in these areas and my paintings has a lot of elements, structures , terra-morphisms that I discover in these walk. Sometimes I recorded it, photograph it, because I know all that details can be forgotten.
Ovidiu Kloska

I am one of the Romanian painters collected all over the world with paintings in private collections in most countries and continents of the world. My original creations are sold in online galleries at prices starting from 250 eur to 10000 eur.
You can view more works and details on the official website.
I have over 20 years of experience in sending small and large works of art. The painting will be professionally packaged.

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The composition looks much better than the displayed pictures and will be sent with a certificate of authenticity bearing the painter's signature and the collector's name.
Visit Ovidiu Kloska official website to enjoy fantastic imagery and you will travel in an absolutely fascinated universe bearing the dream signature Kloska. My creations can be found in private collections all over the world in the USA, CANADA, SWITZERLAND, FRANCE, ENGLAND, GERMANY, BELGIUM, NETHERLANDS, AUSTRALIA, IRELAND, RUSSIA, MARTINIQUE, GUADELOUPE, NORWAY, SWEDEN, DENMARK, PORTUGAL, SPAIN, MEXICO SI SINGAPORE.

If you manage to reach me in this presentation page is not by random. I don't belive in coincidence. It means that we are vibrating on the same frequency on this existence and we understand the world in the same way. I am not an "easy" artist, my works are elaborate pieces of art and my universe was biuld in many years of searching and hard work. My collectors are designing their all space by my art and they are not selecting the painting to match with the couch. I think I am one of the best, original, creative and spiritual abstract painting in the world. I don't seek celebrity, fortune, I am just greatfull to be able to keep creating every day and have a normal life with my family. I have created many artworks, I have pieces all over the world and I hope, in time, my art will grow and will be recongnise as one of the important one in art history. I am confident that I will leave a great legacy for the next generations.
But, first of all, I am trying to give a certain allure to the works, and I think my stamp is very much related to the approach to light and the treatment of light in painting. I am very interested in the ephemerality we encounter around us. I am influenced and inspired a lot by walls in run-down areas, cracked pavements, rusted fences. There is an absolutely fascinating plasticity in these areas, and my art has a lot of elements, structures and terra-morphisms that I discover in these walks that I do and that I sometimes record and photograph because the details are easily forgotten.
I have several series of works; I remember the first series, which was more unified, better defined: it was the theme of angels. I really liked the idea of humanizing the angel and trying to paint certain compositions where the inhabitant of the interval, the angel, seems somewhat trapped in our world. Thanks to these angels, critics, at least in Romania, attach an interesting approach to the angel and appreciate "Kloska's Angels" because they are very good works in this artistic area.

Then I really liked to approach the idea of landscape differently in the sense of openness, of dense forest with clearings, but starting from figurative elements, I move into an area of universal creation. For me the initial form, for example that of the tree, is very important, but then I try to generate certain steps of modification of the main symbol and in this way I made a series that I called "Beyond the Inside" which for me is by far the most interesting and elaborate. I have another series of works, "Kafkian eternity with flowers at 7 pm", where I delicately approach the theme of static nature. I'm very interested in personal time, and even though it's widely used by many artists, I find it a fascinating theme because it's very generous for my creative space. More recently I started a cycle, "Between Black and Divine", recalling my beginnings as a painter. I am very interested in the idea of darkness seen as lack and non-creation. In these compositions, I create a special contrast between light, which for me means dynamism, creation, passage, and I play with a symbolism of universal spirituality that goes beyond the human towards Divinity and the Creator. If God comes to the opening, he will study my paintings in this series very carefully and will want to know the author.
There are many years in which I experimented because, from my point of view, the painting I do requires a high degree of experimentation. Of course I have formed certain skills, certain techniques over time, I have developed certain compositional games, and I usually do not start from a sketch, but have certain gestural automatisms and spontaneities. The paintings are elaborated in stages, especially because I work a lot horizontally through scraping techniques, depositing the color in a more watery state. I work a lot with washes, with transparencies, with interventions, and then for me the experiment is very important.
Over the years I have "connected" to several themes and it has been very easy for me to just look around and be more sensitive to what is going on. A few years ago I lost someone dear, a grandmother who raised me in my early years and who was absolutely shockingly simple, but at the same time a kindness and a human quality that you rarely find. After the loss of my grandmother I started a series with the title "I would like to die in another galaxy", and the works in this cycle were more figurative. I got a little closer to the idea of passing, of death, but death seen as a journey, as a passage somewhere in another spatiality, in another temporality. I am very inspired by the passage of time and the intervention of time on us and on the things around us. So is light, the play of light, the metamorphosis of light, the changing valences of light, and man. Even if my works seem devoid of silhouettes, they are loaded with my experience as a human being, as a spirit, as a creator. Because we artists are essentially creators.

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Ovidiu KloskaMindscapeLightDarkMetaphysical