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River of time - gouache on paper (2011) 绘画 由 Kirk Yastreb
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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。

光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。

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原创艺术品 (One Of A Kind)
绘画,
水粉
在纸上
- 外形尺寸 高度 19.5in, 宽度 29.7in
- 艺术品状况 工作状况非常好
- 是否含画框 此作品未装裱
- 分类 画作 低于US$1,000 形象艺术 暗黑情节
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Artist Kirk Yastreb (b. 1979) lives and works in St. Petersburg. In 2008, she graduated from the Department of Restoration of the St. Petersburg State University of Art and Industry named after. A. L. Stieglitz. In her artistic practice, she uses traditional techniques, creates paintings and graphic works, and rarely turns to photography.
The works of K. Yastreb were exhibited at the Anna Akhmatova Museum (group exhibition “Idols”, 2015), the Artmuza gallery (personal exhibition “Music and Time”, 2016), and the creative center “Wind of Change” (2018). Some of the artist’s works are in domestic and foreign private collections.
Kirk Hawk is not a member of creative associations and does not recognize membership in a specific art movement. However, the influence of modernism is noticeable in her works. Avoiding radical experiments, the artist in his creative practice turns to the achievements of various trends, directions and styles, achieving their joint harmonious sound. According to K. Yastreb, for her, what matters most is the content of the work, and the choice of specific means of expression follows from it.
The theme of music and theater occupies an important place in the work of K. Yastreb (“Transcription”, 2010, “Musicians”, 2018). There is no portrait specificity in the images of the performers. Through these images, the artist rather expresses the music itself, its mood. Depriving the viewer of the opportunity to see insignificant details, it shortens the distance between the musician and the viewer, immersing us in a special space filled with one sound. Expressive broad strokes only indicate the most important thing, emphasizing the dynamics of the music and the movements of the musicians.
The artist’s graphics are not inferior to painting in their merits. Works made with acrylic are also distinguished by their expressive manner and some carelessness. Silhouettes appear on deep black backgrounds, leaving a feeling of twilight and understatement (“Trumpeter”, 2018).
In his liner drawings, Kirk Hawk, on the contrary, subordinates the composition to a clear graphic principle (“Church in Koenigsberg”, 2019). Here the artist often refers to the image of the city. It works on the juxtaposition of patches of tone and subtle graphics. Due to this, she manages to create laconic, expressive compositions. This effect is also emphasized by the recognizable frames with which K. Yastreb often frames his drawings.
Despite his fully formed author's style, the artist continues to experiment with new media. Thus, in “Portrait of an Art Critic” (2022), the QR code becomes the main semantic center of the composition.
Kirk Hawk embodies in his works a subtle attitude, a lyrical reflection of reality. The impression of instability and unreality of space lifts the viewer above the plot level of perception and turns to complex, metaphysical things.
Elizaveta Andreeva, October 2022