River of time - gouache on paper (2011) 绘画 由 Kirk Yastreb

水粉在纸上, 19.5x29.7 in
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美术纸, 8x12 in
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River of time - gouache on paper 关于这件艺术品: 分类, 技术技巧 & 款式. 水粉. 用水稀释这些物质,并通过添加口香糖和蜂蜜使它们呈糊状和不透明。颜色变得不透明,因此可以叠加,从而形成一种带有水粉颜料的颜料和带有油的颜料。水粉因其明亮,新鲜和细腻的色调而被推荐。. 形象艺术. 具象色彩的绘画自由地包括了各种形式的艺术,而没有文化体裁和地理起源的边界,在高级文化与亚文化之间没有等级的价值。. 技术 绘画. 绘画是一种通过美学应用有色液体在表面上绘画的艺术形式。画家在诸如纸张,岩石,帆布,木材,树皮,玻璃,混凝土和许多其他基材等支撑物上表现出非常个性化的表达。 代表作品或发明作品,绘画可以是自然主义的,具象的或抽象的。它可以具有叙述性,描述性,象征性,精神性或哲学性的内容。. [...]
River of time - gouache on paper

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Artist Kirk Yastreb (b. 1979) lives and works in St. Petersburg. In 2008, she graduated from the Department of Restoration of the St. Petersburg State University of Art and Industry named after. A. L. Stieglitz. [...]

 Artist Kirk Yastreb (b. 1979) lives and works in St. Petersburg. In 2008, she graduated from the Department of Restoration of the St. Petersburg State University of Art and Industry named after. A. L. Stieglitz. In her artistic practice, she uses traditional techniques, creates paintings and graphic works, and rarely turns to photography.

 The works of K. Yastreb were exhibited at the Anna Akhmatova Museum (group exhibition “Idols”, 2015), the Artmuza gallery (personal exhibition “Music and Time”, 2016), and the creative center “Wind of Change” (2018). Some of the artist’s works are in domestic and foreign private collections.

 Kirk Hawk is not a member of creative associations and does not recognize membership in a specific art movement. However, the influence of modernism is noticeable in her works. Avoiding radical experiments, the artist in his creative practice turns to the achievements of various trends, directions and styles, achieving their joint harmonious sound. According to K. Yastreb, for her, what matters most is the content of the work, and the choice of specific means of expression follows from it.

The theme of music and theater occupies an important place in the work of K. Yastreb (“Transcription”, 2010, “Musicians”, 2018). There is no portrait specificity in the images of the performers. Through these images, the artist rather expresses the music itself, its mood. Depriving the viewer of the opportunity to see insignificant details, it shortens the distance between the musician and the viewer, immersing us in a special space filled with one sound. Expressive broad strokes only indicate the most important thing, emphasizing the dynamics of the music and the movements of the musicians.

The artist’s graphics are not inferior to painting in their merits. Works made with acrylic are also distinguished by their expressive manner and some carelessness. Silhouettes appear on deep black backgrounds, leaving a feeling of twilight and understatement (“Trumpeter”, 2018).

In his liner drawings, Kirk Hawk, on the contrary, subordinates the composition to a clear graphic principle (“Church in Koenigsberg”, 2019). Here the artist often refers to the image of the city. It works on the juxtaposition of patches of tone and subtle graphics. Due to this, she manages to create laconic, expressive compositions. This effect is also emphasized by the recognizable frames with which K. Yastreb often frames his drawings.

Despite his fully formed author's style, the artist continues to experiment with new media. Thus, in “Portrait of an Art Critic” (2022), the QR code becomes the main semantic center of the composition.

Kirk Hawk embodies in his works a subtle attitude, a lyrical reflection of reality. The impression of instability and unreality of space lifts the viewer above the plot level of perception and turns to complex, metaphysical things.

                                                                                       Elizaveta Andreeva, October 2022

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