Fugue around the festival (1976) 印花与版画 由 Johnyy Friedlaender

印花与版画在纸上, 34x24 in
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Very good condition. From private collection. 关于这件艺术品: 分类, 技术技巧 & 款式. 技术 印花与版画. 版画最初是用来交流的。卓越的技术特性使其成为一种宝贵的艺术媒介。艺术家在平面上创建图像以进行打印。为了创建原始印刷品,艺术家在表面上上墨并将其压在纸上。版画是将艺术品印刷在纸上的过程,但也可以在织物、木材、金属和其他表面上印刷。. 除了单版印刷外,所有印刷工艺都可以从同一艺术品中产生相同的倍数。由此产生的作品被称为版画或“印象”。. 相关主题.
Very good condition. From private collection.

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Johnny Friedlaender (German, 1912–1992) was an artist best known for his pioneering use of aquatint etching. Born in Pless in the former German kingdom of Prussia, Friedlaender attended the Academy of Arts in [...]

Johnny Friedlaender (German, 1912–1992) was an artist best known for his pioneering use of aquatint etching. Born in Pless in the former German kingdom of Prussia, Friedlaender attended the Academy of Arts in Breslau, where he studied lithography and etching under Expressionist artist Otto Mueller.

In 1930, he moved to Dresden, where his work was included in group exhibitions at Galerie J. Sandel and, in 1936, he traveled to Czechoslovakia, Switzerland, Austria, France, and Belgium.

Friedlaender spent most of his adult life in Paris, after fleeing Nazi Germany in  1937.

Although Johnny Friedlaender pursued watercolor and oil painting throughout his career, describing himself as a “painter who engraves,” his artistic legacy centers on color printmaking, techniques of which he pioneered. 

His early black-and-white prints drew heavily on Surrealism and Expressionism, executing phantasmorgic visions of animals and human figures, as in Cheval (1940), an aquatint etching of a horse leaping up towards the moon. Friedlaender’s abstracted portrayals of nature as a majestic, mystical force have been likened to Caspar David Friedrich’s transcendent landscapes, which he admired. 

As his style matured, Freidlaender rejected the gestural abandon of Expressionism, fully embracing a precise style of abstraction. He became known for musically oriented compositions of delicate forms and symbols in a harmonious palette.  

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