The Monster (2019) 绘画 由 James Potter

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卖家 James Potter

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卖家 James Potter

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最大分辨率: 3499 x 4587 px
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卖家 James Potter

  • 原创艺术品 (One Of A Kind) 绘画, 在帆布上
  • 外形尺寸 高度 16in, 宽度 12in
  • 是否含画框 此作品未装裱
  • 分类 形象艺术 电影院
I love watching old horror films and I have numerous favourites. I like most of the films where Frankenstein's monster makes an appearance. In the book, Frankenstein, the monster walks off in the snow at one point and I imagined this clumsy, irregular shaped being with ill fitting clothes, lumbering off to a better existence away from man.[...]
I love watching old horror films and I have numerous favourites. I like most of the films where Frankenstein's monster makes an appearance.
In the book, Frankenstein, the monster walks off in the snow at one point and I imagined this clumsy, irregular shaped being with ill fitting clothes, lumbering off to a better existence away from man.

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FrankensteinFrankesnsteins MonsterThe MonsterMonsterHorror

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Welcome to my website, my name is James Potter and I love art and painting. My journey with art began as a young boy, drawing Grebes and Heron in ballpoint pen with my Grandfather. He used to take me[...]

Welcome to my website, my name is James Potter and I love art and painting.

My journey with art began as a young boy, drawing Grebes and Heron in ballpoint pen with my Grandfather. He used to take me to a nature reserve in Newcastle-Upon-Tyne, where we would spend hours looking for particular birds on the lake with binoculars. I was fascinated that the drawings we did in pen and ink looked very much like the actual birds.

I studied art at school and learned to paint with gouache, which I felt was a little dull and lifeless. My mother introduced me to oil paints and I stayed with this medium as the buttery consistency and vibrant colours were perfect for my style of painting. They offer a beautiful, realistic quality to painting quite unlike any other medium.

I paint in an impressionistic style, aiming to create deliberate strokes that capture the form and fall of light. I paint my water and sea ‘wet into wet’ to create a more natural flow, whilst the placing of colour next to each other with no blending creates a vivid clarity.

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