Shaohua Gu

SHAOHUA-GU in Chinese painting and calligraphy, and the pursuit of sentiment

SHAOHUA-GU in Chinese painting and calligraphy, and the pursuit of sentiment
顾绍骅书画创作追求与感悟

Painting:
Chinese painting on favorite "public show fresh" appearance. Bird-division revolves money, Zhang Jian, and so on; and the figure for JIANG Zhao, Liu wine container, such as how Yao; good landscape painting in the Song Dynasty (Fan Kuan and Li Tang, Liu Song, Ma Yuan, Guo Xi, and so on); the Ming Dynasty (Shen Zhou, Tang Yin, and so on Anglophobia ), The Qing Dynasty (Gong Xian, YUAN Jiang, Yuan, etc.) and the landscape of modern masters (the snow-stone, Zhang, Li Xiongcai, Liu Haisu, HE Haixia, etc.) fine.
Art is one or more of the skills developed to a certain height (peak), was to create a spirit of the (ideological) on the enjoyment of (or the influence of the United States). Chinese traditional culture and the arts vast, there is always poetry, books, paintings that the homology of the three highest state of "poetic"; all about heart, thinking to write, express feelings. As a result, fundamentally speaking, the three are interlinked. The painting has always been, generally good at poetry, creative, such as painter, writer of the Tang Dynasty, Sushi evaluation of poetry, books, paintings, Wang everyone: "watch the population painting, painting in poetry; taste Moroccan population poem, a poem There are paintings. " Da Vinci said: "The painting is mute poetry and poetry is painting for the blind." Ancient Greek poet Simonides said: "The painting is not for poetry, and poetry is made to draw." Jiang Kui Qing Dynasty literary critics pointed out: "Shu (Shu) to write Xiongyi combination of features to play with." Completion of the creative artist painting after painting for a title poem, this painting and poetry complement each other, embraced each other; so that the artist's realm of art (works), has been brought into fuller play - "poetic." (Chinese painting of the fine traditional culture and art treasures of the essence). Poetry, painting as one solution, this is the essence of Chinese painting, but also my pursuit.
(Literature: the language of the essence of love - is also poetry. Jing Tao order Taibai, Moldova's population, and so free and easy; Li Yu, Liu Yong, Li Qingzhao such as the euphemism; or Dongpo, Jia Xuan, such as the Bold.)
绘画上：
国画上喜爱“工秀清新”之貌．花鸟画师钱行健，张世简等；人物画承蒋兆和，刘继卣，姚有多等；山水画好宋代（范宽，李唐，刘松年，马远，郭熙等）；明代（沈周，唐寅，仇英等），清代（龚贤，袁江，袁耀等）及现代山水大师们（白雪石，张大千，黎雄才，刘海粟，何海霞等）的精品。
艺术是一种或多种技能发展到一定的高度（高峰），给人们创造出一种精神（思想）上的享受（或美的熏陶）。中国传统文化艺术浩如烟海，历来有诗 、书 、画同源之说 ，三者的最高境界是 “诗情画意”；都是写心 、写思想 、抒发感情的。因此，从根本上说，三者是相通的。历来的书画家，一般都精于诗词创作，如大画家、大文豪苏轼评价唐代的诗 、书 、画大家王维：“观摩诘画，画中有诗；味摩诘诗,诗中有画”。达芬奇说：“画是哑巴诗，诗是盲人画”。古希腊诗人西蒙尼德斯说：“画为不语诗,诗是能言画”。清代文学批评家姜夔指出：“舒（抒）写胸臆与发挥景物结合起来”。艺术家完成画的创作后，再作一首题画诗，这样画与诗相互补充，相互辉映，相得益彰；使艺术家的艺术境界（作品），得到淋漓尽致的发挥——“诗情画意”。（中国画的这一优秀传统文化艺术瑰宝之精髓）。诗 、书 、画溶为一体，这才是中国画的真谛，也是我的追求。
（文学上：钟爱语文之精萃——诗词也。敬陶令，太白，摩诘等之洒脱；李煜，柳永，李清照等之委婉；也好东坡，稼轩等之豪放。）
Calligraphy:
In calligraphy on advocating "and" beauty school Ou Yangxun regular script, paste and so on Zhao Mengfu: Xingshu were "two", Zhao Mengfu paste and so on; grass calligraphy money Huai, Sun Court, and so too; take Zhuanshu Li Bing Yang, Deng Shiru, Wang Um, and so on; Lishu from the all-Cao, B-young, and so on from the monument and Tie Liu Bingsen.
Contemporary, the text of the evolution of the development of the two attributes (direction): The first is to simplify and fast writing; computer typing now, production has been replaced by official documents, letters and so on the transfer, publish, post, and so on. The other is the "calligraphy", namely: the pursuit of the United States and calligraphy.
Since ancient times, books and re-refined, and as a style of authentic, in terms of a pen, colon, or art in all aspects of the pursuit of compromise coordination, and will pass. Although the realm of high art, but who can now very rare. The implicit rationale for its deep meaning, Road and micro-thin flavor, if mishandled, often into mediocrity.
I think it is innovation "(written with a variety of calligraphy) calligraphy"
"How many artists in the world, how many species there are sketch and color." - • Auguste Rodin (France) and a breakthrough in the regulation, on the one hand, in a bold way to explore, after all, a study books on the track . However, this is a dangerous track, will fall into Modao, the key lies in whether we can grasp the essence of art, is a strong arts foundation. This is a breakthrough in the regular succession of breakthrough, although the abnormal regulation, not missing this. Zhao Ji Jin-thin neat Xianya Although the exposed bones, but yet fertile run, very strong; Yang Weizhen Although the term into the uninhibited, full of strange, but he staggered from high, yet Fadu; Kim Dong Fang Xin, although a pen flat, exposed a character, but Straightforward simple, yet ancient thick atmosphere. The seal characters Zhao Zhiqian, and scribe pen, McKinnon's "paint book." We need a deep understanding of the art of calligraphy on the basis of the wide range of traditional inheritance on the basis of special talents, find a breakthrough, and gradually evolved into a unique style of the ancients about the same.
The so-called "broken", here are just two; one said: "broken", is "incomplete"; another for the "excess" is also intended. That is, "(written with a variety of calligraphy) calligraphy" is a body with a variety of books stored in a work of calligraphy in the meaning. "(Written with a variety of calligraphy)," the word "calligraphy small Dictionary" (Xie Ping, SUN Xiu, Yang waiting for the right to increase, by the Beijing Publishing House) solution to do: "1, refers to the old body is not the 'Suzi' or constitute the same sound and meaning Different in form, and other characters. "2, the Hang Shu variations. Jin Wang's calligraphy drive home to change fonts, a special new law created a variant of the Hang Shu, known as' (written with a variety of calligraphy) '. Song Chen, "Bookstore Works", said: "Youjun law firms, Xiao Ling (written with a variety of calligraphy), are wonderful for a short while."
"(Written with a variety of calligraphy) calligraphy," one of the following three points: small (with a variety of writing calligraphy), (written with a variety of calligraphy), all (with a variety of writing calligraphy). 1, "(written with a variety of calligraphy)" is three books within the body "(written with a variety of calligraphy) calligraphy" works (give fresh and beautiful feeling).
2, "(written with a variety of calligraphy)" is more than four-book "(written with a variety of calligraphy) Calligraphy," works; (give: not just by his appearance, like articles, music, "cadence "Feeling; Moupian layout You Si" pebbles "to shop - Cuoluoyouzhi of rhyme; in momentum, rather than scattered and chaotic, as a whole as" Xingyunliushui "-like fun at all). 3, "the whole (written with a variety of calligraphy)" is the word all "(written with a variety of calligraphy) and calligraphy." ( "All (with a variety of writing calligraphy)" gives the feeling of chaotic).
Creation "(written with a variety of calligraphy) calligraphy," I thought: This book needs are, a good foundation history; true, the grass, seal characters, and Li, are fine lines (rubbing from a stone inscription deep knowledge - understanding of the monument reading , Tie); the history of calligraphy clear understanding of the culture, and so on; Bucai writer, but towards the "front" to the practice. As for whether or not to accept it, then the "merits and demerits of right and wrong, people are just waiting for the comment."

书法上：
在书法上崇尚“中和”之美，楷书学欧阳询，赵孟頫等贴：行书宗“二王”，赵孟頫等贴；草书法钱怀素，孙过庭等；篆书取李冰阳，邓石如，王福菴等；隶书从曹全，乙瑛等诸碑及刘炳森帖。
当代，文字演化发展的两个属性（方向）：一是简化、快捷书写；现在电脑打字、制作等，已代替了公文、书信等的传递、发布、张贴等的需求。另一个是“书法化”，即：追求书法美。
自古以来，书重儒雅中和，并视为风格之正宗，无论在用笔、结体，还是在章法方面都追求折中协调，以至通会。此虽为艺术之至高境界，然能至此者甚稀。因其理隐而意深，道微而味薄，若把握不好，常陷于平庸。
我认为是有所创新的“破体书法”
“世界上有多少艺术家，就有多少种素描与色彩。”——奥古斯特•罗丹（法国）突破中和之规，于某一方面大刀阔斧地探索，亦不失为一种书学之径。不过，这是一条险径，是否会坠入魔道，关键在于能否把握艺术的本质，是否具有浓厚的艺术功底。这种对常规的突破是一种继承中的突破，虽有异常规，而不失其本。赵佶的瘦金体工整闲雅虽外露筋骨，却不失腴润、挺劲；杨维桢虽入任不羁，奇怪百出，却步履自高，不失法度；金冬心虽用笔方扁，秉性外露，却真率质朴，不失厚古之气。赵之谦的篆、隶用笔，金农的“漆书”。我们要在对书法艺术深刻理解的基础上，在对传统广泛继承的基础上，别具慧眼，找准突破口，渐次演化成一种与古人不相上下的独特风格。
所谓“破”字，在此有二义也；其一曰：“碎”也，乃“不完整”；另一为“超出”之意也。即，“破体书法”是多种书体同存于一幅书法作品中的意思。“破体”二字《书法小辞典》（谢德萍、孙敦秀、杨增权等著，由北京出版社出版）解做：“1、旧时指不合正体的‘俗字’或音义相同构成不同的异体字等。”2、行书的变体。晋书法机家王献之改变字体，别具新法，创造了变体的行书，被称为‘破体’。宋陈思《书苑菁华》中说：“右军行法，小令破体，皆一时之妙。”
“破体书法”分有以下三种：小破体、大破体、全破体。1、“小破体”是三种书体以内的“破体书法”作品（给人清新、秀美的感觉）。
2、“大破体”是四种书体以上的“破体书法”作品；（给人一种：观其貌，有如文章、音乐之“抑扬顿挫”之感；谋篇布局又似“鹅卵石”铺地——错落有致之韵；在气势上，又散而不乱，整体上看又如“行云流水”般的畅快）。3、“全破体”是字字皆为“破体书法”。（“全破体”给人杂乱无章的感觉）。
创作“破体书法”，我以为：这需要书者文、史学功底好；真、草、篆、隶、行俱精（碑帖学知识深厚——理解性的博览群碑、帖）；书法史清晰、了解等文化素养；笔者不才,但朝着“前方”努力实践之。至于人们是否接纳，那么“是非功过，只待后人评说”。

Art sentiment
My days off and abandoned Shi Cong Yi, and my taste bones of their labor, their physical hunger is also the flavor, Yan Chi, however, Dan's work is the result of Xing, the spirit of the interjection; ink heart is so (painting), On every public move, since the clouds for the traditional, not "non-mud." However, life is short, and few worries Yin Huan (happy days and less anxiety and more days); to be left behind for future generations is "hard up" fighting spirit "solely" the spirit and innovation is the The cause of the theme of self-improve.
Sentiment in life
Hing Man-rich country, the people perish decline (death).
The rapid development of today's world, if you do not sense, you will be eliminated. And please keep in mind: Your success is only paid on your behalf yesterday, today, if you have to be replaced, or even survival.
艺 术 感 悟
天遣吾弃仕而从艺，并使吾初尝劳其筋骨，饿其体肤之味也，然而砚池，丹青之劳作乃是兴之所致，精神所欹；笔墨乃心话(画)，众论无所动,自云承传统,亦非＂泥不化＂。然人生苦短、欢寡而愁殷（欢乐的日子少而愁苦的日子多）；须为后人留下的是“拼搏向上”的斗志与“永不言败”的精神，并且创新是各项事业不断完善自我的主题。
人 生 感 悟
国兴民富,国衰民亡(丧)。
世界飞速发展的今天，你若没有忧患意识，你就会被淘汰。并请记住:你的成功仅代表你昨天的付出，今天你若不努力，就会被取代，甚至没有生存的机会。

顾绍骅
2006年8月