Jason deCaires Taylor, the artist behind a new controversial sculpture, has expressed his surprise at the backlash but welcomes the discussions it may provoke. The sculpture, titled Alluvia, is made from recycled glass and steel, illuminated by LEDs at night, and was recently installed in the River Stour in Canterbury, Taylor's hometown. While the work carries no political intent, it is inspired by Sir John Everett Millais’ painting Ophelia, sparking both criticism and praise.
Some have described the sculpture as "disturbing" and "offensive," arguing that the submerged figure resembles drowning victims, particularly echoing the tragedies of refugees drowning off the Kent coast. In response, Taylor emphasizes that his goal was not to cause division but hopes the piece can foster empathy for real-life tragedies, such as the ongoing migrant crisis.
Despite receiving mostly positive feedback, Taylor acknowledges that everyone interprets art differently. He believes art should provoke questions and emotions, or it risks becoming "pointless." He also attributes some of the criticism to the modern age of information overload, where controversy often garners attention in a fast-paced media landscape.
Though there have been calls for the sculpture to be removed—sometimes from people who haven’t seen the artwork in person—Taylor urges critics to view it for themselves before forming opinions. Stewart Ross, Chair of the Canterbury Commemoration Society, which commissioned the piece, has compared calls for censorship to the destruction of art during the Reformation. He insists that public art is meant to spark conversation.
Taylor, an artist for over 25 years, is known for placing sculptures in marine locations worldwide. He views the controversy as an opportunity to ignite meaningful conversations about issues that resonate deeply in society.
Jean Dubreil