Lease artwork "La Bougie "Masselin"" by Jean-Marc Gardeux with an option to purchase
Designs by Jean-Marc Gardeux are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
Jean-Marc Gardeux lives and works in Paris.
His parallel or intersecting lines over the degrees of the rapporteur evoke rationality and abstraction, like geometry and mathematics. Through his canvases, he seeks to give an impression of movement thanks to the veiling of a symmetry that is indirectly visible but which offers the reflective illusion to the viewer.
Whether they are oil paintings, acrylic, or volumes, he traces, since his first works, fine, wide, straight, slanted lines, in color or black and white which respond to each other in a minimalist construction. Construction elements that we find in his sculptures where wood, metal or glass come together. His work, which combines precision with great freedom of execution, is always determined by the search for what he calls the illusion of symmetry. Thus, the spectator can avert his gaze, branch off in his reflection to grasp this illusion.
By making the invisible visible, and vice versa, he questions our relationship to perspective and more broadly to stability in movement, transparency in depth, space in detail and a more or less light presence of time.
This meeting between the intuition of the artist and that of the spectator, through their forms, triggers complicity and a shared vision of the world. Giving an impression of movement on a canvas is a bit like the holy grail of the painter.
After studying scenography and video at the École Nationale Supérieure des Arts Décoratifs in Paris, he created several sets for the theater and musical scenographies. He also worked as a camera reporter and shot numerous documentaries, which allowed him to always be as close as possible to the image and its movement. He also met many painters, including members of the Constructivism and Movement (CO-MO) group united by geometric abstraction. Among them: Jesus Soto, Romano Zanotti, Carlos Cruz-Diez, Cesar Andrade were models in his discovery of a kinetic art built on repetitions of form.
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Nationality:
FRANCE
- Date of birth : 1955
- Artistic domains: Works by artists with a certified artist value, Works by professional artists,
- Groups: Certified Artists Professional Artist Contemporary French Artists
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