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- 包装 (盒子或纸箱包装) 所有的作品都配有优质的承运方,经过严格的包装保护和已投保。
- 监控 跟踪订单,直到包裹交付给买方. 将提供跟踪号码,以便您可以实时跟踪包裹。
- 延迟 全球配送会在3-7天内送达 (估计)
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- 可追踪的在线真品证书 可以通过扫描插图的代码随时在线验证真品证书。
- 认证评级艺术家 专家研究一个艺术家的工作和职业生涯,然后建立一个独立的,可靠的平均价格值。平均价格价值座落在一个价格范围内的某一时期的艺术家。专家们也可能被要求建立一个更精确的估计为特定的工作。
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使用SSL证书进行100%安全付款 + 3D Secure.
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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。

光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。

我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH,耐性和高质量的天然纸!
无论是在色彩控制还是在图形链方面,我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
关于艺术家! 您可以帮助艺术家活出自己的生活。 每当您购买印刷品时,他们都会获得使用费。
关于我们的优良打印购买许可证以将此图像用于您的网站、通信或销售衍生产品。
Usage: 网络许可证
1113 px | ||
![]() |
1500 px |
文件尺寸 (px) | 1113x1500 |
全球使用 | 是 |
用于多点支持 | 是 |
用于任何类型的媒体 | 是 |
转售权 | 没有 |
最大打印数量 | 0 (Zero) |
拟出售的产品 | 没有 |
购买后立即下载
此图片可以用许可证下载: 您可以随时下载它们。
限制
所有在ArtMajeur的图像是由艺术家创作的原创作品,所有权利是严格保留的。获得许可证后有权根据相应条款使用或利用图像。可以进行微小的修改,如重构或重新聚焦图像,使其完全符合新项目要求,但是,禁止进行任何可能损害原始作品的修改。其完整性(形状修改,扭曲,切割,改变颜色,添加元素等),除非事先从艺术家获得书面授权。
定制许可证
如果您的用途不在我们的标准许可证范围内,请联系我们获取定制许可证。
艺术图片银行-
原创艺术品 (One Of A Kind)
图画,
粉彩
在纸上
-
外形尺寸
15x12 in
单独工作的尺寸,不带框架: 高度 12in, 宽度 9in - 是否含画框 这件作品是诬陷 (框架+玻璃下)
- 分类 画图 低于US$1,000 观念艺术 世界文化
It also celebrates the cute curves and angles common in the youthful bodies of females.
And it symbolically associates this event with the Yin and Yang symbol recognized in various Asian philosophies/religions.
Both of these symbols involve the interplay of dualities in the nature of existence, (or how we think about and experience existence. The Yin and Yang concept and symbol is relatively analogous. Two unlike qualities engage in a constant interplay, displacing each other, while both being elements of the same whole.
In Western tradition the concept of dialectics does not have so clear a symbol, and has become involved in the qualitative issue of Good and Evil in which the dominance of Good over Evil is perceived as the only satisfactory outcome.
The issues around Right and Wrong and how to determine what is which, has been the overriding issue throughout the history of civilization, is the overriding issue today, and appears likely to remain the overriding issue in all future to come.
Among theists, Right and Wrong are usually spelled out in the theology to which they adhere. But this is very less significant among Polytheistic systems and atheistic beliefs. Nonetheless, societies in which these dominate also aspire to establishing universally applicable concept of Right and Wrong, based on election of some deities over others as they effect one's life or, in atheism, the effort to determine a consensus in human opinion about what is Right and Wrong and whether that applies universally.
Jesus is quoted warning against being one of those who, "... can see the mote in another's eye, but cannot see the beam in their own eye." Right and Wrong tends to be relative to the circumstances of each human being and humans tend to be less sympathetic to the conditions of others than to their own conditions.
It would be beneficial to the idea of civilization for each individual to determine what they think is Right and Wrong, but only if they can apply the Kantian concepts of "The Limitations of Self Awareness,' and, 'The Prolegomena to All Future Morality."
Still more important, (perhaps), would be if every human being determined the Epistemologist's challenge; "What do I know and how do I know it?"
This would be important and everyone capable of reading this has already worked through the issues once, during infancy when they were rudely introduced to an objective environment. But few can remember that process of discovery and their formulation of assumptions about the nature and dynamics of reality, because those issues were pondered in a very different system of thinking based on experiential comparisons rather than linguistic symbolism.
This would be important and valuable to us all, but, realistically, few are ever likely to attempt it. Descartes attempted it in his famous; "I think, therefore I am. I can doubt that I am. But I cannot doubt it without thinking." He was applying what is known as an "apriori" test of knowing, (It cannot be doubted without demonstrating its validity).
Put simply; To find a universal sense of Right and Wrong, we would need to have a universally accepted idea of what reality is. But that can't happen if we can't even determine what our own sense of reality is. And that can't happen if we can't determine what our current sense of reality is built upon.
It's quite a conundrum. And to bring this full-circle, remember that the fruit the serpent is offering to Eve is the Fruit of the Tree of the Knowledge of Good and Evil, (or Right and Wrong, if you prefer).
相关主题
Edwin Loftus 是一位出生于 1951 年的美国画家和绘图员。他对艺术的兴趣始于 4 岁,当时他决定画一些真实的东西,而不是从他的想象中工作。
小时候他擅长绘画,十几岁时他开始尝试油画。在大学里,他修读了艺术和艺术史课程,并意识到真正的艺术与绘画或绘画的质量无关,而必须有突破界限和扩大视觉体验的雄心。
他还研究了哲学、心理学和历史,并很快意识到这只是另一个试图捍卫其精英行业和奖励制度的艺术机构。他们的技能几乎不存在,他们对心理学、感知或刺激反应一无所知,他们是使共产主义、法西斯主义和其他形式的极权主义在世界上具有如此毁灭性力量的信仰体系的延伸。他们从字面上相信艺术不应该为普通人提供,而只提供给“成熟”到足以理解它的精英。
Edwin Loftus意识到艺术的皇帝没有衣服,但他们仍然是皇帝。他有艺术天赋,努力学习这项技能。于是他另谋生路,时不时卖掉几件艺术品。六十年来,许多人喜欢他的作品,也有人收藏。
今天,埃德温·洛夫特斯退休了。即使他以他要求的价格卖掉了他所有的画作,“艺术家”将是他做过的最低薪的工作……但事实就是如此。他死后对他来说就无所谓了。他只是希望将来有人会喜欢他所做的足以享受它。
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国籍:
美国
- 出生日期 : 1951
- 艺术领域: 具有认证艺术家价值的艺术家的作品,
- 团体: 认证的艺术家 美国当代艺术家