Metropolis square, Corfu (2024) 绘画 由 Dorin Popa

油在帆布上, 31.5x31.5 in
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  • 原创艺术品 (One Of A Kind) 绘画, 在帆布上
  • 外形尺寸 高度 31.5in, 宽度 31.5in
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It was 10 am in the morning when it happened to cross this square. Mesmerized by the strong light coming through the stained glass of the church, decided to capture quickly the contrast of light and colours. Later on decided to keep also few figures who happened to be in the square at that early hour of the morning. 关于这件艺术品: 分类, 技术技巧 & 款式. 油. 由与亚麻子油或康乃馨结合的颜料组成的油漆。传统技术是将越来越富油的油漆层叠加在一起,形成坚固耐用的衣架。. [...]
It was 10 am in the morning when it happened to cross this square. Mesmerized by the strong light coming through the stained glass of the church, decided to capture quickly the contrast of light and colours.

Later on decided to keep also few figures who happened to be in the square at that early hour of the morning.

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Metropolitan SquareCorfu Old TownArchitectureChurchCityscape

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I was born and raised north Transylvania, Romania. I completed my studies in Engineering in 2003, but 15 years ago, while living in the UK, I steered toward becoming a representational artist. Eventually I settled [...]

I was born and raised north Transylvania, Romania. I completed my studies in Engineering in 2003, but 15 years ago, while living in the UK, I steered toward becoming a representational artist. Eventually I settled in Bucharest, Romania with my wife and children, where I work and have established my own studio.

Mostly self-thought artist, I have no formal artistic education. However I attended a couple of artistic groups in Reading, UK between 2010-2013 (SketchPad, Rising Sun – Life Drawing class, Remenham Portrait Group), where guidance was received from the most established painters.

I've had a very systematic approach to drawing and painting; Following Van Gogh's model, I did not touch colors until I had spent enough time understanding drawing, proportions, perspective, volumes and tones, which, to me, are the intrinsic foundation of a good painting.

After completing "Cours de dessin" by Charles Bargue within a year, and after copying masters for another one, I began to tackle colors - watercolor at first, then acrylics and finally, a few years ago, I began experimenting with oil painting, which is where I ultimately settled.

I am very fond of impressionistic movement, and everything that preceded (romantics, Barbizon school) and followed the movement (post-impressionist).

I strongly consider, that the impressionistic and post-impressionistic movements, have been forced to live too short as the modernist-abstract art like cubism came into the scene much too quick. So, that all the field of light studying in nature, light impact on color and our perception, color vs tones approach has not been experimented enough. 

So, my aim is to go back in time and start some light vs color studies and experiments where mid XIX schools have advanced them, but I think not enough experimented with. Maybe something that might be catalogues as new-naturalists/new-impressionism. All this strongly backed by the urge to go and paint outside my studio, plein-air,  for the quality of the light, and for the love for landscape, being it in front of the see or a busy-town scene.

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