Marie Antoinette (2019) 拼贴 由 David Barnes

拼贴在木上, 29.5x42.1 in
US$1,468.1
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发货地: 葡萄牙 | 在2天
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这件艺术品出现在6集
  • 原创艺术品 (One Of A Kind) 拼贴, 拼贴 / 在木上
  • 外形尺寸 高度 29.5in, 宽度 42.1in
  • 是否含画框 这件作品是诬陷 (框架+在丙烯酸玻璃下)
  • 分类 拼贴画 低于US$5,000
A multi-layered collage, with a geometric 'cross' design cut out as if the surface has been folded. The three-dimensional effect is enhanced using brushed pigment (pink and blue) on the surface. Behind these tinted sections is a layer of coloured tissue paper. This then sits above two indentical prints of Marie Antoinette which themselves are covered [...]
A multi-layered collage, with a geometric 'cross' design cut out as if the surface has been folded.

The three-dimensional effect is enhanced using brushed pigment (pink and blue) on the surface. Behind these tinted sections is a layer of coloured tissue paper.

This then sits above two indentical prints of Marie Antoinette which themselves are covered in a fine mesh gauze to help the images recede further into the background.

Overall, I wanted to create a dynamic picture that plays with surface depth and allows the eye to wander in and out of the frame.

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OpticalPerspectiveMulti-MediaGeometricWindows

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I have always loved geometry, pattern and maths. My work is a means of exploring and understanding these relationships. The latest series, I am working on, involves using recycled leather cut-offs from the shoe [...]

I have always loved geometry, pattern and maths. My work is a means of exploring and understanding these relationships.

The latest series, I am working on, involves using recycled leather cut-offs from the shoe making industry here in Portugal. The range of colours and surface finishes available creates a unique palette to work from. Each individual piece is cut using a bespoke knife, made from a hand-drawn template.

The combination of geometry and colour allows the eye to wander over the surface, and for me, has a meditative quality.

With collage, the act of cutting through a sheet of material reveals a window into another layer below. My work tries to create a sense of surface pattern, letting the eye roam over the picture plane, as well as creating a sense of depth and of space receding behind the surface.

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