Trust, SHOPPING BAG (2023) 纺织艺术 由 Yulia Belasla

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Stylish shopping bag with my picture print "Trust". The pattern is double-sided, the shopper is made of artificial suede on a sling. Artificial suede. Handles made of slings Cotton. Size 45x35 cm. Handles 33 cm. 关于这件艺术品: 分类, 技术技巧 & 款式. 形象艺术. 具象色彩的绘画自由地包括了各种形式的艺术,而没有文化体裁和地理起源的边界,在高级文化与亚文化之间没有等级的价值。. 技术 纺织艺术. 纺织艺术是指使用工业或动物织物,或人造或天然纤维来构造实用或装饰性和艺术性对象的艺术和工艺形式。纺织艺术包括制造方法,例如织物的编织,或羊毛、棉花或人造纤维的纺纱;转换这些材料的技术,例如织物缝纫(具有更多艺术形式,如拼布或绗缝)、针织、钩针、编织或线结。也有装饰或修改人造纺织品的方法,例如刺绣、染色或应用花边。. [...]
Stylish shopping bag with my picture print "Trust".
The pattern is double-sided, the shopper is made of artificial suede on a sling.

Artificial suede
Handles made of slings Cotton

Size 45x35 cm.
Handles 33 cm.

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Shoping BagArtificial SuedeBrownLoveCouple In Love

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About Yulia Belasla. Yulia Belasla was born in 1987 in Barnaul. Altai Krai. Russia. When she was still a child,her parents moved to the city of Kemerovo, in Western Siberia, where she grew up.Since 2017, she has [...]

About Yulia Belasla 

Yulia Belasla was born in 1987 in Barnaul. Altai Krai. Russia. When she was still a child,her parents moved to the city of Kemerovo, in Western Siberia, where she grew up.Since 2017, she has been living in Moscow. Russia.
Since childhood, she attended private painting and drawing lessons. She graduated from an Art school with honors. And graduated from Kemerovo State University of Culture and Arts with a degree in graphic design.
Between 2013 and 2017, she ran a frame shop where she worked as a decorator in Kemerovo, and passionately taught painting to adults and children. Today, her time is completely devoted to the creation of Artworks, as well as giving Art workshops.

Artist’s Statement

In my practice, I work with painting, exploring themes of love, human relationships, Slavic traditions and physicality of the information world. I work in traditional techniques, using oil, acrylic, watercolor, and golden foil. The inner volume of the paintings is achieved only by the contrast of cold and warm color palettes. Otherwise, I avoid feeling the depth of space, turning the composition to ornamental correspondence or icon painting practice. The symbolic structure  of objects and characters and the addition of decorative elements to the space is a reference to ancient cultural codes and sign systems. The two main genres of my works are subject painting and portraits.
I combine mythology, legends and assemble them into an anthropomorphic image. It is read through signs sewn into the perceptions of each person. In my opinion, emotions are the brightest color of the universe, a universal language understood by everyone. I have always been interested in how people are emotionally connected to each other. The interaction of these connections forms my approach to developing themes within paintings.


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