Monica Belluci (2020) 数字艺术 由 Yulia Belasla

美术纸, 11x8 in
  • 该作品是“开放版” 数字艺术, GicléePrint / 数字打印
  • 外形尺寸 几种尺寸可供选择
  • 独家支持 (美术纸, 金属上的印刷, 画布上打印)
  • 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
  • 分类 插图 名人肖像
This illustration is a portrait of the stunning actress Monica Bellucci as Malena (Malena film, 2000) 关于这件艺术品: 分类, 技术技巧 & 款式. 技术 数字艺术. 数字艺术是指使用语言和数字设备、计算机、界面或网络的细节的一组多样化的创意类别。它自 1960 年代初发展为一种艺术类型。随着越来越多的数字艺术家参与其中,数字艺术已发展为几个不同的子类别,例如:分形艺术/算法、数据混合、动态绘画、2D 和 3D 计算机图形、 像素艺术、 数码摄影、 照片绘画。. 相关主题. VogueFashoin IllustrationMonica BellucciFashoin PortraitElegant.
This illustration is a portrait of the stunning actress Monica Bellucci as Malena (Malena film, 2000)

相关主题

VogueFashoin IllustrationMonica BellucciFashoin PortraitElegant

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About Yulia Belasla. Yulia Belasla was born in 1987 in Barnaul. Altai Krai. Russia. When she was still a child,her parents moved to the city of Kemerovo, in Western Siberia, where she grew up.Since 2017, she has [...]

About Yulia Belasla 

Yulia Belasla was born in 1987 in Barnaul. Altai Krai. Russia. When she was still a child,her parents moved to the city of Kemerovo, in Western Siberia, where she grew up.Since 2017, she has been living in Moscow. Russia.
Since childhood, she attended private painting and drawing lessons. She graduated from an Art school with honors. And graduated from Kemerovo State University of Culture and Arts with a degree in graphic design.
Between 2013 and 2017, she ran a frame shop where she worked as a decorator in Kemerovo, and passionately taught painting to adults and children. Today, her time is completely devoted to the creation of Artworks, as well as giving Art workshops.

Artist’s Statement

In my practice, I work with painting, exploring themes of love, human relationships, Slavic traditions and physicality of the information world. I work in traditional techniques, using oil, acrylic, watercolor, and golden foil. The inner volume of the paintings is achieved only by the contrast of cold and warm color palettes. Otherwise, I avoid feeling the depth of space, turning the composition to ornamental correspondence or icon painting practice. The symbolic structure  of objects and characters and the addition of decorative elements to the space is a reference to ancient cultural codes and sign systems. The two main genres of my works are subject painting and portraits.
I combine mythology, legends and assemble them into an anthropomorphic image. It is read through signs sewn into the perceptions of each person. In my opinion, emotions are the brightest color of the universe, a universal language understood by everyone. I have always been interested in how people are emotionally connected to each other. The interaction of these connections forms my approach to developing themes within paintings.


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