Mist Over Chilao (2009) 绘画 由 Bahram Berj Kafai

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  • 原创艺术品 绘画,
  • 外形尺寸 高度 24in, 宽度 18in
  • 分类 形象艺术
Oil on canvas. Angeles National Forest, California 关于这件艺术品: 分类, 技术技巧 & 款式. 油. 由与亚麻子油或康乃馨结合的颜料组成的油漆。传统技术是将越来越富油的油漆层叠加在一起,形成坚固耐用的衣架。. 形象艺术. 具象色彩的绘画自由地包括了各种形式的艺术,而没有文化体裁和地理起源的边界,在高级文化与亚文化之间没有等级的价值。. 技术 绘画. 绘画是一种通过美学应用有色液体在表面上绘画的艺术形式。画家在诸如纸张,岩石,帆布,木材,树皮,玻璃,混凝土和许多其他基材等支撑物上表现出非常个性化的表达。 代表作品或发明作品,绘画可以是自然主义的,具象的或抽象的。它可以具有叙述性,描述性,象征性,精神性或哲学性的内容。.
Oil on canvas
Angeles National Forest, California
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Bahram Berj Kafai is an Iranian-American painter, retired Aerospace Engineer and inventor of several U.S. Patents in Nano-Technology, based in California for the past forty years. He is noted for expressionist [...]

Bahram Berj Kafai is an Iranian-American painter, retired Aerospace Engineer and inventor of several U.S. Patents in Nano-Technology, based in California for the past forty years. He is noted for expressionist paintings of the Golden State's rich landscapes and astronomy subjects.

Philosophy

My paintings interpret nature, its cyclical images of growth and renewal. I paint nature not as I see it, but as it ought to be. I want to be up close to the image, to have the sun low enough in the sky so that light reflects off surfaces in dynamic ways. I want trees to be the key compositional elements of each piece. Finished paintings are a synthesis of my imagination and my observations of nature.

My landscape pieces are either busy with tree branches, capturing the complexity and meticulous detail of nature, or simple and rough, conveying a sense of calm. The latter of these techniques happens and develops intuitively. The colors of the paint, the amount of light is not necessary. My internal reaction to the scenery is what I focus on; everything else is forgotten.

The more worked on paintings, the ones with webbed shadows and detailed reflections, are more dynamic: the calm of color and frantic lines show the peeking and falling of moods. Nature as a subject is never still. It always provides variations, new ways of seeing. This is what inspires me to paint; I want to capture nature as it constantly mends itself.

When I paint in the open air, I am living in my canvas, in my subject matter. I eat, sleep, and exist in what I will later capture in paint. I witness nature in all four of her seasons and may travel several times to the same location, paying heed to light, the movement of branches. I may visit the same site in rain, in the fall, or at the peek of summer to see how temperature and the seasons affect the same landscape and the way it is to be interpreted.

“I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.”

-Albert Einstein 

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