Hand of Master (2015) 图画 由 Anton Tantsev

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美术纸, 11x8 in

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艺术图片银行
  • 原创艺术品 (One Of A Kind) 图画, 标记 / 在纸上
  • 外形尺寸 高度 23.6in, 宽度 16.9in
  • 艺术品状况 工作状况非常好
  • 是否含画框 此作品未装裱
  • 分类 部落艺术 神秘主义
And as always, the process of creation has its own special mystery. Feeling with every bone and vein every wave of vibrations, the hand firmly performs its dance. Virtuoso balancing between the surface of the skin and the tip of the needle, the master forever manifests a sacred pattern filled with excessive meanings and values. The artist, his work [...]
And as always, the process of creation has its own special mystery.
Feeling with every bone and vein every wave of vibrations, the hand firmly performs its dance. Virtuoso balancing between the surface of the skin and the tip of the needle, the master forever manifests a sacred pattern filled with excessive meanings and values. The artist, his work and nature are more united than ever.

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HandMasterTattooTatauProcess

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Born and raised in Russia, in the steppes of the Southern Ural. Until the age of 18 I lived in the small town of Orsk, where I graduated from high school and fine arts school. At the age of 18 I moved to live [...]

Born and raised in Russia, in the steppes of the Southern Ural. 

Until the age of 18 I lived in the small town of Orsk, where I graduated from high school and fine arts school. 

At the age of 18 I moved to live in the central city of the region, Orenburg, where I entered the Orenburg State University to specialize in graphic design.  This period of my life was rich in wonderful teachers and masters. Therefore, all my free time from studies I spent in sculpture and printing workshops. During this time I participated in many exhibitions and projects of the University and the Union of Artists of Orenburg and worked in various spheres of fine arts from creation of expositions to scientific activity. 

After 5 years of study, a year before graduation, I was expelled from the institute (not for the first time) because of my periodic confrontations against the corrupt and bureaucratic features of education.

Classes of graphic art and sculpture led me at 22 to study the culture of tattooing, which I am professionally engaged in to this day.

At the age of 25 I received a higher education in Moscow Academy, specializing in "environmental design" (the Academy does not exist today because of the same peculiarities of education).

At the age of 29 I was admitted to the Union of Artists of Russia.

From 30 to 33 lived and created in Crimea.

Since 33 years I have been living in Nepal.

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