"Fine-Arts"는 종이에 인쇄됩니다.
아트지에 초고품질의 안료잉크를 사용하여 초고화질로 인쇄하는 과정입니다. 보존 수준이 매우 뛰어나며(100년 이상) 품질, 깊이 및 뉘앙스의 풍부함이 Argentic 종이의 고전적인 사진 인쇄를 능가합니다.
광택 처리
섬유 종이는 탁월한 두께 외에도 산이 없는 알파 셀룰로오스 베이스로 구성되어 있으며 황산바륨으로 덮여 있으며 인쇄 시 미세 다공성 층 흡수 강화 안료가 사용됩니다. 빛에 변색되지 않는 순백색의 이 종이는 특히 저항성과 노화를 위해 설계되었습니다. 해상도가 우수하여 깊고 짙은 색상을 표현하여 전 세계 주요 박물관에서 사용하고 있습니다.
아트 프린트 "Fine Art" - 섬유 원지에 광택 마감 325g.
당사의 고급 인쇄물 및 복제품
ArtMajeur는 유명 제지업체에서 엄선한 중성 pH, 저항성, 고품질 천연 종이만을 사용합니다!
우리의 마스터 프린터는 색상 제어 또는 그래픽 체인에 대한 존중 측면에서 끊임없는 관심을 기울입니다. 우리의 높은 수준의 품질 요구 사항은 ArtMajeur 액자 아트 인화의 주요 자산입니다.
아티스트를 위한! 당신은 예술가들이 그들의 작품에서 살 수 있도록 돕습니다. 그들은 당신이 그들의 인쇄물을 살 때마다 로열티를 받습니다.
우리의 정밀한 인쇄에 대하여La scène se déroule dans un cadre bucolique, avec des arbres et une végétation dense qui entourent les personnages, ajoutant une sensation de retrait et d'intimité. Les couleurs sont douces et la lumière semble filtrer à travers les feuillages, créant une atmosphère de douceur et de raffinement. Watteau excelle dans le rendu des textiles, et ses personnages sont souvent drapés de tissus aux textures riches qui reflètent leur statut social.
En arrière-plan, on peut apercevoir d'autres figures, peut-être plus de participants à cette réunion sociale ou des statues classiques, qui renforcent l'ambiance de loisir cultivé et de flânerie.
관련 테마
Watteau's life is not well known, but his art is very important ( baptised October 10, 1684 – died July 18, 1721). At the beginning of the 18th century, he set new standards for French painting. One can talk about how he was born into a poor family in a small town in Flanders, which was then ruled by the French. He got his first training from a little-known local painter and moved to Paris around 1702. There, Claude Gillot and Claude III Audran, two of his teachers, helped him develop his skills in different ways. Through Gillot, he learned how the theater could help him visualize things and how this could lead to the idea of an ambiguous reality. He learned the art of the arabesque from Audran. The arabesque's mix of ornamental and figural shapes had a big impact on his own style. As Concierge of the Palais du Luxembourg, Audran gave Watteau access to Rubens's Medici Gallery. This was important because it helped Watteau study the Flemish painter and other old masters in the years to come. Watteau's career spanned the last years of Louis XIV's rule and the start of the Regency. These were times when the rules set by the court and the Academy were becoming less strict and when changes in society made it possible for new ideas about art to emerge. Watteau created a new style of painting called "Fête galante" because of this, and the Academy's increasing openness helped him do it. In 1717, he was finally accepted into the Academy (second Rome Prize 1709, admission as a candidate 1712). He was a very sensitive and weak man, both mentally and physically. He confused his peers and helped define the modern artist as an outsider and an innovator. Watteau spent his last years with friends like the painter N. Vleughels and the art dealer Gersaint, for whom he made the now-famous shop sign (Charlottenburg Palace) in 1720. He avoided the public and moved around a lot during those years. Watteau went to London in 1719 and 1720 to try to get better from a serious illness (possibly tuberculosis). There, he met Dr. Mead, who helped his art become very popular in England right away. Almost all of the important biographies of Watteau (by Jean de Jullienne in 1726, Gersaint in 1744, Dezallier d'Argenville in 1745, and Comte de Calus in 1748) talk about how unique and good his drawings are. Watteau's favorite medium was either red chalk or a mix of red, black, and white chalk, which some colorists at the Academy, like La Fosse and Coypel, were already using at the end of the 17th century.
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국적:
프랑스
- 생년월일 : 알 수 없는 날짜
- 예술적 영역: 갤러리 대표,
- 여러 떼: 현대 프랑스 예술가 갤러리에서 선보이는 아티스트
