Noseless Head (2021) 数字艺术 由 Andrea Botton
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
无论是在色彩控制还是在图形链方面，我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
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该作品是“开放版”
数字艺术,
GicléePrint / 数字打印
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 艺术品状况 艺术品完好无损
- 分类 形象艺术 男士肖像
Created using advanced CGI techniques, the sculpture depicts a head without a nose, an absence that disrupts the traditional perception of the human face.
This invites the viewer to reflect on how small changes can drastically alter identity and recognizability.
This sculpture is part of the "Clay Head" series, where the digital medium intertwines with the aesthetics of traditional sculpture.
It creates works that seem to exist in a limbo between the real and the virtual.
相关主题
Since I was a child, I have had a passion for art that goes beyond mere appreciation; it has become a continuous search for meaning and Archè.
I have explored much of the art world, but in recent years I have mainly focused on Computer-Generated Imagery (CGI), the medium I predominantly use today.
I am fascinated by the fact that images generated with CGI, while being visible, remain in the realm of nonexistence.
This duality of existence and intangibility intrigues me deeply: an image that persists in a form of permanence, while remaining ethereal and intangible.
Each of my CGI creations represents a journey through the boundary between the visible and the invisible, an exploration of the imaginary realm that challenges the conventions of reality.
My works are not simple representations, but rather windows into worlds that exist only at the intersection of perception and illusion.
With each rendering, I strive to capture and convey this tension between presence and absence, between matter and imagination.
In this space of duality, art becomes a reflection on the nature of perception and reality itself.
My work invites the viewer to immerse themselves in a visual experience that is as concrete as it is elusive, stimulating a meditation on what is truly real and what remains eternally elusive.
Through CGI, each image transforms into a kind of paradox, where imagination manifests in forms that, though perfectly visible, always remain on the boundary of nonexistence.
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