“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
无论是在色彩控制还是在图形链方面，我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
关于艺术家! 您可以帮助艺术家活出自己的生活。 每当您购买印刷品时，他们都会获得使用费。
关于我们的优良打印购买许可证以将此图像用于您的网站、通信或销售衍生产品。
Usage： 网络许可证
| 1125 px | ||
|
1500 px |
| 文件尺寸 (px) | 1125x1500 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
购买后立即下载
此图片可以用许可证下载: 您可以随时下载它们。
限制
所有在ArtMajeur的图像是由艺术家创作的原创作品，所有权利是严格保留的。获得许可证后有权根据相应条款使用或利用图像。可以进行微小的修改，如重构或重新聚焦图像，使其完全符合新项目要求，但是，禁止进行任何可能损害原始作品的修改。其完整性（形状修改，扭曲，切割，改变颜色，添加元素等），除非事先从艺术家获得书面授权。
定制许可证
如果您的用途不在我们的标准许可证范围内，请联系我们获取定制许可证。
艺术图片银行-
该作品是“开放版”
摄影,
GicléePrint / 数字打印
在纸上
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 艺术品状况 艺术品完好无损
- 分类 摄影作品 低于US$5,000 形象艺术 汽车
相关主题
A. Reha DemirHe was born on January 3, 1976 in Eskişehir. After completing secondary and high school at Ankara Anıttepe High School, he studied at Eskişehir Anadolu University Faculty of Economics and Administrative Sciences. He graduated from the Department of Economics in 2000. Although he has not received any academic training in photography or art, he continues to provide education and improve himself in this field. His habit of looking at any moment or object more closely or from different angles, and the fact that photography offers the opportunity to reveal the harmony and aesthetics of everything hidden beyond what is visible when viewed from a different angle, led him to express the life he wanted to show, through photography.
What is photography? Or what is photography from my perspective? Photography is not just pointing an image-capturing device at a landscape and storing that image, as many people think. It means seeing something different from everyone else in something you look at, and even interpreting that thing in your own way and extracting what needs to be seen from that thing. Just as a sculptor's material can be a block of stone or a tree trunk, a photographer's material is the life flowing around him. Just as when a sculptor sees a marble block, he sees not just a piece of stone but the work of art that will emerge when he removes the excess from that piece of stone, for a photographer, the life flowing around him is just like this piece of stone. He captures a moment of it, looks at it closer than anyone else has looked at it, or from an angle no one has looked at it before. He transfers that harmony, texture, reflection, movement or a look to the image using different techniques, and creates a work as if he were removing a sculpture from a piece of stone. And the most important feature of this work is that it is one and only. That scene only happened at that moment, and it was taken from that angle and distance by a person who is one of the billions of people who are currently living and will live in the world who took the photo, and it was interpreted and turned into a work by that person. And no one can do the same again. Even the person who took the photo
