GUY - La Matrice (2024) Painting by Rémi Balligand

Acrylic on Wood, 39.4x39.4 in
$5,730.4
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This artwork is framed
Mounted on Wood Panel
This artwork appears in 2 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic / Ink / Wood on Wood
  • Dimensions 43.3x43.3 in
    Dimensions of the work alone, without framing: Height 39.4in, Width 39.4in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Floating Frame)
  • Categories Paintings under $20,000 Geometric Nature
GUY- La Matrice Cette œuvre appartient au 5e Percept* intitulé Guyanes. Chaque Percept possède sa matrice qui représente son "Manifeste" en quelque sorte. Le Percept Guyanes met en jeu les nuances vives de vert, la dorure, le graphisme des feuillages, le vernis ultra brillant. Il recèle le mystère d'^tres cachés dans[...]
GUY- La Matrice
Cette œuvre appartient au 5e Percept* intitulé Guyanes.
Chaque Percept possède sa matrice qui représente son "Manifeste" en quelque sorte.
Le Percept Guyanes met en jeu les nuances vives de vert, la dorure, le graphisme des feuillages, le vernis ultra brillant. Il recèle le mystère d'^tres cachés dans la végétation.
Le travail de gravure sur bois est linéaire. Le support bois est un MDF.

Rappel de la démarche //////
*Le monde m’apparaît comme un gigantesque émetteur de signaux que nous décodons grâce à nos sens et qui nous permet de nous représenter notre réalité. Nous ne percevons qu’une infime partie des forces à l’œuvre dans cet univers immense. Nous le savons grâce à des appareils qui nous permettent d’avoir accès à ces autres niveaux de réalité que sont l’énergie, la gravité, les bactéries, le magnétisme, les ultra-sons ou les phéromones. Mais nous n’avons que nos sens pour les appréhender directement et le langage pour les conceptualiser.
J’aime penser que malgré nos limites, nos sens et notre esprit nous offrent une infinité d’expériences possibles et que parmi cet infini, il existe des clefs quelque part pour nous rendre accessible la beauté du monde. à travers ma recherche, en agençant les formes, les lignes et les couleurs dans des ordres nouveaux, en explorant par le dessin la structure de sujets, en les confrontant à des formes qui produisent du sens, j’essaie de rendre perceptibles des univers possibles.
C’est dans cet état d’esprit que je revisite la notion de Percept, terme emprunté à Gilles Deleuze, philosophe français et théoricien de l’Art, et ce de façon très simple : comme des recettes de cuisine, des formules chimiques ou des algorithmes visuels.

Related themes

FeuillesVertNatureAmazoniePlantes

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Rémi Balligand Born May 15, 1977 in Longjumeau (Essonne - 91) Lives and works in Paris - Workshop in Normandy Curriculum ////// Prep for Fine Arts in Troyes National Diploma[...]

Rémi Balligand

Born May 15, 1977 in Longjumeau (Essonne - 91)
Lives and works in Paris - Workshop in Normandy

Curriculum //////
Prep for Fine Arts in Troyes
National Diploma in Plastic Arts at the École Nationale Supérieure des Beaux-Arts of Le Mans
Master's degree in Art and Communication in Valencienne
Regular training in graphic design and communication at Pyramyd

Professionnal career //////
Scenographer at the French Theater in Rome
Graphic designer then artistic director in a communications agency
Advisor in strategy, communication and foresight
Founder of several companies in communication and new technologies

Artistic approach //////

The world appears to me as a gigantic transmitter of signals that we decode using our senses and which allows us to represent our reality. We only perceive a tiny part of the forces at work in this immense universe. We know this thanks to devices that allow us to have access to these other levels of reality such as energy, gravity, bacteria, magnetism, ultrasound or pheromones. But we only have our senses to apprehend them directly and language to conceptualize them.

I like to think that despite our limits, our senses and our mind offer us an infinity of possible experiences and that among this infinity, there are keys somewhere to make the beauty of the world accessible to us. through my research, by arranging shapes, lines and colors in new orders, by exploring the structure of subjects through drawing, by confronting them with forms that produce meaning, I try to make possible universes perceptible .

It is in this state of mind that I revisit the notion of Percept, a term borrowed from Gilles Deleuze, French philosopher and art theorist, and this in a very simple way: like cooking recipes, chemical formulas or visual algorithms.

Each Percept is a kind of visual theme declined on different media and in different forms, each contains its own formal logic and its own evocations.

The Artist was highlighted in an article in Artmajeur Magazine:

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