Femme Fatale (2023) Photography by Lídia Vives

Photography, 43.3x31.9 in
$4,599.09
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Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Aluminium
This artwork appears in 11 collections
“I believe that the concept of the “Femme Fatale” started to intensify within me during my college years. I began chatting with a man from the art world. He was almost 20 years older than me. And apparently, age wasn’t the only thing that set us apart… it was also our interest in conversation. I wanted to talk about photography; he called me “My Lady”[...]
“I believe that the concept of the “Femme Fatale” started to intensify within me during my college years. I began chatting with a man from the art world. He was almost 20 years older than me. And apparently, age wasn’t the only thing that set us apart… it was also our interest in conversation. I wanted to talk about photography; he called me “My Lady” and “green eyes.

One day, he mentioned the femme fatale. He said that my eyes and gaze were feline, like one of those dangerous women who never favored by mothers-in-law but are adored by men.

My femme fatale has always been a facade. I know this because, despite him calling me “green eyes” (which they aren’t, actually), and me accentuating them with black eyeliner and a fringe, a true femme fatale would have recognized that when someone like that invites you to dinner, they don’t expect the evening to be filled with discussions about art.

Ah… in case anyone is wondering… that night, my femme fatale disguise and I took a taxi home. And alone.”

Related themes

RedGreenFemme FataleWomanFashion

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Lídia Vives (Spain, 1991), currently based in Barcelona, is a photographer and visual artist whose work has appeared in magazines such as Esquire and Vogue Italia, as well as in galleries, art fairs,[...]

Lídia Vives (Spain, 1991), currently based in Barcelona, is a photographer and visual artist whose work has appeared in magazines such as Esquire and Vogue Italia, as well as in galleries, art fairs, and museums such as the Louvre in Paris. She has also worked with a number of musical groups, including the Spanish band Love of Lesbian. 

Since her first exhibition in 2013, she has traveled the world presenting her work and has received numerous international awards (gold medal for self-portraiture at the Trierenberg Super Circuit in Wels, Austria in 2022, and a winner of the Passepartout Photo Prize in the Annual Catalogue 2022 in Italy...)

Strongly influenced by Italian Renaissance and Baroque artists, as well as some of her contemporaries, Lídia's work is distinguished by the pictorial environment that she employs when dealing with current issues, frequently employing her self-portrait. She is also known for hiding Easter eggs in her photographs to entice the viewer to look deeper into her work.

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