À Relever b 2022 (2022) Digital Arts by Eva Bergera

Not For Sale

Seller Eva Bergera

Digital licensing

This image is available for download with a licence

$32.30
$129.20
$269.18
Max resolution: 2500 x 3382 px
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Seller Eva Bergera

  • Original Artwork (One Of A Kind) Digital Arts, Manipulated Photography on Plexiglass
  • Dimensions 14.8x11 in
    Dimensions of the work alone, without framing: Height 14.4in, Width 10.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Digital Arts under $5,000 Spiritual Art Colorful
This print is a mix of many different supports: An old scanned map of Paris, one of the artist's old paintings, a portrait of a woman painted by Botticelli (Eva Bergera has great admiration for the painters of the Italian Renaissance ), fragments of ancient symbols that the artist had created as well as a text written for an installation designed[...]
This print is a mix of many different supports: An old scanned map of Paris, one of the artist's old paintings, a portrait of a woman painted by Botticelli (Eva Bergera has great admiration for the painters of the Italian Renaissance ), fragments of ancient symbols that the artist had created as well as a text written for an installation designed for the “Bondieeries” duoshow in the Parisian gallery Graphem
in 2018.
The different portraits mix with each other and with the map which creates veins and reddened skin (from shame?). Eva Bergera's latest works are endless renditions of her previous works and her numerous image banks. There remains a face with a haggard face, like a soul in permanent wandering.

Related themes

ColorPortraitSpiritualitySacredWoman

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The works of Éva Bergera are cries, white cries, deaf cries. It is a theme as old as (in)humanity that works the artist: the moral, physical, sexual and social violence inflicted on those who do not think[...]

The works of Éva Bergera are cries, white cries, deaf cries.

It is a theme as old as (in)humanity that works the artist: the moral, physical, sexual and social violence inflicted on those who do not think right.

A harmony of raw words and pop colors, shocking images and pious aesthetics, the work exudes an impressive force.

Hell according to her is a contrast of colors both bright and soft, strewn with flowers, fruits and saints with joined hands. We see familiar faces, Loana, Claude François, the artist herself and others only known to the police – robot portraits of criminals. Eva Bergera's collages have the chilling beauty of Rogier Van Den Weyden's Last Judgment. Like the masterpiece of the Hôtel-Dieu de Beaune, they demand that we linger in front of them to appreciate all their power, the richness of the details. They are lacerated with sentences: "And what's more, this whore is nice", "Stop! Stop you tire me, order two pizzas and shut your mouth”, “Are you going to cry? “… These words, Eva Bergera heard them, collected, triturated, some were intended for her.

And in the middle of this mess remains laughter, humor as an indispensable revolt against the absurd, against a conception of life devoid of meaning, of center. There will always be death at the end, so go find something to do!

***

Born in 1988 in Roanne, Éva Bergera began painting in a painter's studio at the age of 8 and then multiplied competitions in supermarkets and surrounding villages. She develops an attachment to popular culture; Claude François, television, fairgrounds and a little later for the works of Annie Ernaux and Virginie Despentes.

Since the Salon de Montrouge, Éva Bergera's works have been noticed, bought by several ADIAF collectors, and her work has notably been shown at major Parisian fairs (the YIA, Slick Art Fair) or within prestigious institutions such as the IAC in Villeurbanne and the Lambert Collection Museum of Contemporary Art in Avignon.

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