Birds (2011) Collages by Baptiste Vanweydeveldt

Not For Sale

Seller Baptiste Vanweydeveldt

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork is framed
Mounted on Wood Panel
This artwork appears in 4 collections
Dans la série "abécédaire encadré scellé", ce collage n'est pas attribué à une lettre, il symbolise le silence de ponctuation, donc l'accent qui infléchi la tonalité de la phrase... C'est l'unité discrète de l'alphabet. Le cadre en verre fait entièrement partie de la réalisation, puisque la collection[...]
Dans la série "abécédaire encadré scellé", ce collage n'est pas attribué à une lettre, il symbolise le silence de ponctuation, donc l'accent qui infléchi la tonalité de la phrase... C'est l'unité discrète de l'alphabet.

Le cadre en verre fait entièrement partie de la réalisation, puisque la collection de décalcomanie est directement collée sur le verre, et vient au devant du motif monté sous verre.
Ce motif est un zébra de deux couleurs qui stimule le cerveau par leur timbre opposé.
Quelques croquis et annotations sur l'observation de toile d'araignée symbolise l'idée du piège.
Entre dissimulation et alerte, le silence du verre donne à ce collage un aspect poppy, presque punk qui donneront une vrai présence à ce dernier...

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BaptistevwartBaptiste VanweydeveldtCollageGouacheÉthologie

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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