Élément(s)-2017-travaux sur papier-62x77cm. (2017) Drawing by Baptiste Vanweydeveldt

Not For Sale

Seller Baptiste Vanweydeveldt

Certificate of Authenticity included
This artwork appears in 1 collections
  • Original Artwork Drawing, Graphite on Paper
  • Dimensions Height 24.4in, Width 30.3in
  • Categories Drawings under $5,000 Outsider Art
Report d'images photographiques et rehauts de dessins au graphite . Cales au verso pour décoller le dessin à 1cm du mur avec un anneau d'accroche. 62x77cm Cette série s'applique a lier différentes strates d'images, de natures et de propos différents, dans une composition que je qualifierai de "musicale"[...]
Report d'images photographiques et rehauts de dessins au graphite .
Cales au verso pour décoller le dessin à 1cm du mur avec un anneau d'accroche.

62x77cm

Cette série s'applique a lier différentes strates d'images, de natures et de propos différents, dans une composition que je qualifierai de "musicale" laissant une grande part à l'épure et au retrait du geste pictural...

(pour en savoir un peu plus :
rendez-vous sur le blog du site cf Propos sur la série de travaux sur papier 2018 1/3 et 2/3)

Baptiste Vanweydeveldt, octobre 2018

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Baptiste VanweydeveldtBaptiste.vwLendDessind'installationDessin Contemporain

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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