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Let us know if you would like to see more photos of this artwork!
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Vers l'infini 024 (2023) Photography by Véronique Durruty
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Limited Edition (#1/5)
Photography,
Non Manipulated Photography
/
Analog photography
on Paper
- Dimensions Height 47.2in, Width 47.2in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Photographs under $20,000 Minimalism Geometric
De l'air, de l'eau, des couleurs fortes : se plonger dans une nature revigorante. Un travail photographique au résultat minimaliste autour de la notion d'infini, à la frontière entre paysage et abstraction, entre graphisme et figuration, aux couleurs sans aucune retouche énergisantes et improbables : la mer d'un bleu sobre flirtant avec le noir, le ciel comme un bain d'or, les nuages doux qui varient du parme rabattu au rose pâle en passant par un gris léger. Variation des matières également, imperceptibles vaguelettes de la mer d'huile en bas, limpidité absolue dans le dégradé du ciel, confort du coton cocoon des nuages. Equilibre parfait des trois univers : fraîcheur de l'eau, pureté de l'air, protection des nuages
tirage n°1/5 sur papier argentique satiné numéroté et signé au dos, 120 x 120 cm contrecollé sur dibon 2mm avec barres d'accroches : une fois accrochée, l'oeuvre semble flotter dans les airs. Le grand format permet de profiter de toute la subtilité des nuances de couleurs et de matières.
Un voyage immobile, une oeuvre apaisante, voire thérapeutique.
Lieu de prise de vue : République Dominicaine
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French photographer and visual artist, Véronique Durruty explores the senses and sensations through real or inner journeys. She questions beauty, reality, and the importance of the imaginary and the invisible. She likes to mix genres and mix media.
In nearly 30 years, Véronique Durruty has published more than 40 author's works and exhibited solo all over the world: London, Brussels, New York, Abu Dhabi, Tokyo... Her works are part of public funds and collections private: Belgium, Canada, Spain, France, Great Britain, Greece, India, Italy, Japan, Morocco, Senegal, USA...
In Photography in France, from the origins to the present day (Ed. Flammarion), Claude Nori writes about his work: “His photographic camera retransmits emotions and vibrations in a harvest of skin-deep, sensual, mysterious images. , always harmoniously composed (...). His personal work exalts the harmony and beauty of colors, sounds, smells, landscapes and bodies, of which several books of great aesthetic and formal freedom constitute true creative originals. »
Since 1999, she has devoted herself exclusively to her artistic practice.
In 2001, his work on the sensations of night in the world was exhibited by Claude Nori at Biarritz Terre d'images and attracted Catherine Laulhère who directed Flammarion editions. The work “Extérieur Nuit” was published in 2002 and the photos which constitute it will be the subject of a large personal exhibition of 100 photos on the gates of the Luxembourg garden and at the Rencontres d'Arles in 2003. Véronique Durruty then continues his poetic exploration of the theme of the night: from 2011, “L’heure des loups” is exhibited in its entirety or in group exhibitions, notably at the MuCEM in Marseille (2016-2017, “Café Inn” exhibition).
In 2003, she developed a polysensory creation by asking great noses to create perfumes inspired by her photographs, in 2018, she created sounds inspired by her photographs, giving birth to bi-sensory works.
At the same time, she began to develop purely conceptual work. “More or less infinity” brings together, in the form of abstract installations, pure air and toxic waste. These exhibitions took place in 2006 at the Grand Château in Nice, then at Sordes l'Abbaye in the Landes.
In 2013, Véronique Durruty's photographs escape from their frame. She puts gold on them, sews them, embroiders them, paints them, transforms them into sculptures. The result was an exhibition which will circulate in numerous galleries, “Icons”, which glorifies anonymous women. She has since developed a work of “photo-drawings” (pen ink on photographic prints), like a shaman visualizing the invisible. Véronique Durruty continues to work on the theme of women (2021, life in blues, embroidered drawings; 2024, V, darned photographs).
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Nationality:
FRANCE
- Date of birth : unknown date
- Artistic domains: Works by professional artists, Represented by a Gallery,
- Groups: Professional Artist Contemporary French Artists Artists presented by a gallery
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