Restlessness (2017) Baskıresim Vera Almeida tarafından

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Bu kullanıcı şu anda kullanılamadığını ve 19 Haziran 2024 ürününe geri döneceğini belirtti

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Techniques: etching and aquatint on zinc plate Size: plate 29,5 x 21 cm, paper 38 x 29,5 cm Printed on white Fabriano Rosaspina 285 g/m2 Edition: 10 copies Signed and numbered on the front Some variation can occur, which makes each print unique Black and white sketches of bare trees and their surroundings,[...]
Techniques: etching and aquatint on zinc plate
Size: plate 29,5 x 21 cm, paper 38 x 29,5 cm
Printed on white Fabriano Rosaspina 285 g/m2
Edition: 10 copies
Signed and numbered on the front
Some variation can occur, which makes each print unique

Black and white sketches of bare trees and their surroundings, made by direct observation in the graphic diary were the starting point for this series. Powerful and impatient traces made in the paper later opened in zinc matrices, metal in which the action of the mordent is faster, and therefore the lines obtained are more irregular and close to the initial drawings.

İlgili temalar

TreesBushesAquatintBlack And WhiteGround

Otomatik olarak çevrildi
Figüratif trees bushes aquatint black and white ground nature
Izleyin
Vera Almeida Portre
Vera Almeida
Portekiz
Graphic designer, artist and printmaker living and working in Lisbon. Nature inspires my work to explore shapes, dynamics, and meaning. Fascinated by the natural world, I focus on natural history[...]

Graphic designer, artist and printmaker living and working in Lisbon.

Nature inspires my work to explore shapes, dynamics, and meaning.
Fascinated by the natural world, I focus on natural history illustration, drawing and painting. I use traditional media such as graphite, coloured pencils, pen-and-ink, watercolour, and acrylics.

Currently, I am exploring the potentialities and challenges of printmaking, especially in intaglio processes (etching, aquatint and drypoint), to give voice to the creative potential of the medium.

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