Horror vacui (2022) Sculpture by Uğur Ömer Pekince

Sculpture - Paper, 44.1x45.7 in
$8,328.03
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Sold by Uğur Ömer Pekince
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Sold by Uğur Ömer Pekince

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Sculpture, Paper / Metals on Cardboard
  • Dimensions Height 44.1in, Width 45.7in / 20.00 kg
  • Artwork's condition The artwork is in very good condition
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $20,000 Symbolism Everyday Life
The shaping of space by space and the reification of the object is the process of maturation and becoming like an imago. The formation of the being experiences an amorphous relationship during the embodiment process in the disturbing universe of the void, because the uncanny is inherited. Even in the superficial activity of nature, we[...]
The shaping of space by space and the reification of the object is the process of maturation and becoming like an imago. The formation of the being experiences an amorphous relationship during the embodiment process in the disturbing universe of the void, because the uncanny is inherited.

Even in the superficial activity of nature, we see an effort to fill a void; in the perception of space, the void itself takes on a composition with the priority of uncertainty and the repressed emotions coming to the fore. While the reduction of emptiness to space maintains its strange and chilling effect, a traumatic formation is experienced in the state of similarity that occurs in this ambiguity, and the space absorbs the emptiness it is in, depicting a dilemma of a state of existence on the body. This display of dominance is an idealized fear of emptiness.

Related themes

KafkaeskBöcekBedenAmorfÇirkin

Automatically translated
Symbolism kafkaesk böcek beden amorf çirkin boşluk
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Uğur Ömer Pekince Portrait
Uğur Ömer Pekince
Türkiye
He was born in Ankara in 1993. He reflects his ideas on art production by evaluating self-referential and affective criticism of daily life. On the basis of the art narrative, the body transformed into material,[...]

He was born in Ankara in 1993. He reflects his ideas on art production by evaluating self-referential and affective criticism of daily life. On the basis of the art narrative, the body transformed into material, the operational tool of the individual-expression, gains meaning as the manifestation of anthropomorphism. In a way, art revives the image of imagination as a reflection of impulse, as an identification of nature and everyday life. His intuitive behavior in terms of creation is nourished by the art history of which he is the recipient. The material in his works often bears traces of the quality and variability of his ideas. In his recent works, the construction of the forms spread over the space is built on storytelling.

Automatically translated

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