Chūjō-hime, The Cinderella of Japan (2022) Arts numériques par Sonia Leong

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Vendu par Sonia Leong

  • Ce travail est une "Open Edition" Arts numériques, Giclée / Impression numérique
  • Dimensions Plusieurs tailles disponibles
  • Plusieurs supports disponibles (Papier d'art, Impression sur métal, Impression sur toile)
  • Encadrement Encadrement disponible (Caisse américaine + sous verre, Cadre + sous verre acrylique)
  • État de l'œuvre L'oeuvre est en parfait état
  • Catégories Illustration Asie
Created in 2022 as a new book cover design for my book 'The Complete Beginner's Guide to Drawing Manga' this illustration is based on the Japanese legend of Chūjō-hime, often compared to Cinderella. Kanon, the Goddess of Mercy, grants a childless couple a baby, Chūjō. Her mother dies and her father remarries. However her wicked stepmother[...]
Created in 2022 as a new book cover design for my book 'The Complete Beginner's Guide to Drawing Manga' this illustration is based on the Japanese legend of Chūjō-hime, often compared to Cinderella. Kanon, the Goddess of Mercy, grants a childless couple a baby, Chūjō. Her mother dies and her father remarries. However her wicked stepmother casts her out and is rescued by the Buddhist nuns of Taima-dera, becoming a nun herself. She becomes an extraordinary weaver, weaving the Lotus Thread Taima Mandala. Hence my depiction of her amongst the large lotus leaves and flowers. This was digitally sketched, inked and coloured on my tablet computer.

Thèmes connexes

ChujohimeCinderellaJapanJapaneseAnime

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I've worked in the UK as a professional illustrator specialising in Anime / Manga style since 2004 and have an extensive bibliography of comic books, graphic novels and guidebooks, as well as various credits[...]

I've worked in the UK as a professional illustrator specialising in Anime / Manga style since 2004 and have an extensive bibliography of comic books, graphic novels and guidebooks, as well as various credits for film / TV design and presentation, and even some competition wins (all you have to do is Google me or go to my official website to see my full bio). But I am entirely self taught! My method is mainly identifying contours, volume and ratios, then fine-tuning details with draft lines before inking outlines and adding colour, either entirely traditionally with markers, watercolours or coloured pencils, or digitally. Although I have to be flexible in my line of work (as I am often asked to do different projects in different styles) I am consistent in how I like to create characters and tell stories. Art-wise, I am known for my line work and when I'm not working in black-and-white, my bright, shiny, high contrast use of colour and shading. I love drawing beautiful characters with sparkly eyes, flowing hair and lovely costumes, and I don't apologise for it!

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