Dante-Inferno: Canto 1-Nel mezzo del cammin di nostra vita (2022) Drawing by Silvio Ricci

Ballpoint pen on Paper, 15.8x11.8 in
$369.81
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One of a kind
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  • Original Artwork (One Of A Kind) Drawing, Ballpoint pen on Paper
  • Dimensions Height 15.8in, Width 11.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Drawings under $500 Spiritual Art
L'illustrazione riguarda l'inizio del 1 canto dell'inferno dantesco: "Nel mezzo di nostra vita mi ritrovai per una selva oscura". L'opera trae ispirazione dalle illustrazioni ottocentesche di Gustave Doré ma si arricchisce del significato esoterico dell'opera dantesca. in particolare la "selva oscura"[...]
L'illustrazione riguarda l'inizio del 1 canto dell'inferno dantesco: "Nel mezzo di nostra vita mi ritrovai per una selva oscura". L'opera trae ispirazione dalle illustrazioni ottocentesche di Gustave Doré ma si arricchisce del significato esoterico dell'opera dantesca.
in particolare la "selva oscura" è generata da una figura di donna nuda, in alto a sinistra. da questa apparente bellezza scaturisce la lussuria che genera una moltitudine di esseri mostruosi e inquietanti: come indicato da Dante "tant'è amara che poco più è morte"

Related themes

DanteInfernoCanto 1Selva OscuraDivina Commedia

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Spiritual Art Dante inferno canto 1 selva oscura Divina commedia
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Silvio Ricci Portrait
Silvio Ricci
Italy
Autodidatta. Ho studiato tutte le tecniche pittoriche, (tempera su tavola, olio, acrilico, acquerello),  le tecniche di disegno Matita, penna, matite colorate, sanguigna ,carboncino, pastelli, mina di piombo),[...]

Autodidatta. Ho studiato tutte le tecniche pittoriche, (tempera su tavola, olio, acrilico, acquerello),  le tecniche di disegno Matita, penna, matite colorate, sanguigna ,carboncino, pastelli, mina di piombo), le tecniche di incisione (acquaforte, puntasecca, xilografia, linoleografia, serigrafia), applicando queste tecniche a molti supporti già preparati o preparati da me (tavola, tela, carta, faesite).

Lo studio delle tecniche, dal "libro dell'arte" di Cennino Cennini alla manualistica dell'ottocento fino a quella contemporanea, si è sempre tradotto nella realizzazione di opere pratiche in cui sono evidenti i riferimenti a stilli molto diversi tra loro, dal rinascimento all'astrattismo, da Beato Angelico a Monet.

Ho affrontato molti temi: ritratto, Paesaggio, pittura sacra, ogni volta con tecniche e stili diverso realizzando opere che vanno dall'iperrealismo all'astrattismo, dal surrealismo all'impressionismo.

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