Autumn View 10 (2020) Fotografie door Kenneth Grzesik

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  • Origineel Kunstwerk Fotografie, Gemanipuleerde fotografie / Digitale fotografie / Light Painting
  • Dimensies Afmetingen zijn op aanvraag leverbaar
  • Categorieën Klassicisme Woud
After making an image it is not easy to explain in words exactly what happened. As instantaneous as digital photography appears to be there is a high degree of depth inherent in the process. Both before and after taking a picture there are important considerations. The issues of: what, when, where and why are all considered before the camera is turned[...]
After making an image it is not easy to explain in words exactly what happened. As instantaneous as digital photography appears to be there is a high degree of depth inherent in the process. Both before and after taking a picture there are important considerations. The issues of: what, when, where and why are all considered before the camera is turned on. After taking a digital picture editing is the process that transforms the raw image into a finished visual statement.

Verwante thema's

Digital AbstractLandscapeTreesAutumnFall Colors

Automatisch vertaald
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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

I think it's possible that beauty can save the world. Art can be life as life can be art. Both can be beautiful if given a chance.My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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