Gertrude Jones (2019) Heykel Robert Craig Grassle tarafından

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Robert Craig Grassle tarafından satılır

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Bu resim bir lisans ile indirilebilir

$32,00
$130,00
$270,00
Maksimum çözünürlük: 2078 x 2069 px
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Robert Craig Grassle tarafından satılır

  • Orijinal sanat (One Of A Kind) Heykel, Metaller / Akrilik / Cam / Tel
  • boyutlar Yükseklik 16in, Genişlik 14in
  • Sanat eserinin durumu Sanat eseri aşınma belirtileri veya görünür kusurlar gösterebilir
  • Çerçeveleme Bu resim çerçeveli değil
  • Dış mekan için uygun? Hayır, Bu sanat eseri açık havada görüntülenemez
  • Kategoriler Konsept sanat Portre
This mask is the second of my concept of seeing oneself into the image of the image of the person. The work is mainly of tin and wire supports with acrylic coating. Wires are drilled into the composite resin board for support of the pieces. This piece was also accidentally dropped and destroyed.
This mask is the second of my concept of seeing oneself into the image of the image of the person. The work is mainly of tin and wire supports with acrylic coating. Wires are drilled into the composite resin board for support of the pieces. This piece was also accidentally dropped and destroyed.
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Izleyin
My inspirations originate from my family experiences and professional career as an architect.  I learned the use of color and its relationship to emotion from my mother.  Encouragement with experimentation,[...]

My inspirations originate from my family experiences and professional career as an architect.  I learned the use of color and its relationship to emotion from my mother.  Encouragement with experimentation, creativity, and originality from my father, and persistence from both parents.  I spent my early childhood along the Mississippi River, boothill of Missouri, and later in life in the Ozarks of Missouri.  My adult education in architectural design from the Ozarks in Arkansas.  As a trombonist, I pull compositions from my musical background as well as my art and architectural education. I am a practicing architect in Houston, Texas.   I use bright and vibrant colors within my work to suggest emotion and wonder. When you analyze my compositions, I suggest you observe the negative space revealing concepts beyond the subject matter.  Shadows appearing on supposed physical items, or created by proposed elements that don't actually exist, yet are insinuated. Long strokes of color also illustrate movement and action.

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